“…That Anna Fedorova has a special feeling for this work is not only evident in her introductory essay in the booklet: the way the second theme – the work’s first moment of quintessential Rachmaninov – emerges dream-like out of silence is very special…”
” … Fedorova’s reflective yet never over-indulgent style of playing is also evident in the preludes. Her technique is fluent but never facile – witness the crystalline textures of the G sharp minor Prelude. …”
“… the Paganini Rhapsody initially appears a scintillating and very extensive encore, demonstrating Fedorova’s fire and theatrical qualities…”
“… we enter a more enchanted world, and Fedorova’s characteristically thoughtful interpretation from that point makes us hear that there’s far more to that work than mere pyrotechnics, culminating quite naturally in the celebrated 18th variation”.