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Raízes

Breno Viricimo, Laura Polence, Lilian Vieira

Pixinguinha, Nelson Cavaquinho, Guilherme de Brito, Alcides Caminha, Egberto Gismonti, Breno Viricimo, Udo Demandt, Lilian Vieira, Wiboud Burkes, Marijn van der Linden, Cesar Camargo Mariano, Laura Polence, and more..

SKU: JL003

Year of release: 2016

1. Carinhoso Pixinguinha 03:09
2. Flor e o Espinho Nelson Cavaquinho, Guilherme de Brito, Alcides Caminha 02:58
3. Loro Egberto Gismonti 03:12
4. Indio Breno Viricimo, Udo Demandt, Lilian Vieira, Wiboud Burkes, Marijn van der Linden 06:05
5. India Brasileira Breno Viricimo 04:54
6. Se Voce Nao Breno Viricimo 01:30
7. Samambaia Cesar Camargo Mariano 05:06
8. Counting Frogs Laura Polence 03:48
9. Mosquito Breno Viricimo, Daniel de Moraes 04:53
10. Es Gulu Gulu Unkown, Latvian Folclore 03:11
11. Batuque 01:22
Total time: 40:15

About this album

How this came about

I met Breno in 2014 in a bar around the corner of my house in Amsterdam (the Netherlands). He plays double bass in jazz trios there on Saturday nights. We became friends and started talking about recording a few songs. A while later he brought in 5 guys and a bunch of instruments, and recorded with us on ‘8 ensembles’ in march of 2015.  Quickly after this project, some plans on a complete album came about, with music from composers that he grew up listening to, and some of his own compositions.

In November of 2015, two days were picked and we rolled back into the stage at MCO in Hilversum, The Netherlands, with a Merging HAPI and analog mixing boards, carbon fibre cables and top notch mics. Today we are proud to present you ‘Raízes’. Roots in Portuguese. Not only does this title reflect the content of the works but it is also a symbol of the sound of Breno’s earthy and flowing double bass. Together with singers like Laura Polence and Lillian Vieira this makes a great listen for a laid back summer evening with the vibes and colors of the Brazilian landscapes in mind. Enjoy!

Jonas Sacks

 

Technical approach

Just like the previous project the main microphones (for Stereo) were a pair of Bruel and Kjaer (B&K) 4006 which have been rebuilt to accept 75 volt Phantom Powering directly from the stage. In between this pair of microphones we had a Sennheiser MK8 and a B&K 4006 coupled together to give us sound recorded using the M/S technique. The M/S Omni output from the front pair of B&K 4006 microphones was also being used as the center channel for the multichannel tracks. The support microphone for the vocals was the Sonodore MPM-91. The center and surround microphones (also B&K 4006) completed the microphone set.

All tracks (2 and 5 channels) went through custom made analog and battery powered pre amplifiers, (Custom made by Rens Heijnis) which were then connected to the Merging Technologies HAPI Analog to Digital Converter (ADC) running at DSD 256fs with 3T carbon cable made by Van den Hul in Holland.

Jared Sacks

Download booklet

Reviews

Simon A, Quebec City, Canada

"Once in a while I purchase Multichannel DSD tracks from Native DSD. I noticed whilst looking at my account that they had given me a free track from this album. I invite you to listen to the sound clips provided on their album page. If you like that sort of acoustic sound, you will get a huge kick out of the album. Extremely well recorded. Worth every penny! -- Simon A, Quebec City, Canada"

Tayo Adegun via email to NativeDSD.com

I have really enjoyed listening to Raizes and it has been a great experience. The quality, the sound stage and the depth of the recording is so exceptional. The vocals and the various instruments are so clear. I have my favourite tracks and it's easy to get immersed in the sound. They sound like I'm right there listening to the live performance. Raizes is easily one of the best albums I've listened to recently and I look forward to more of such releases fro you. Congrats to everyone involved.

“This is a beautiful use of natural acoustics in a recording. No editing, no effects; just musicians playing live in a great space. The results are stunning. Hats off to Channel Classics Records and Native DSD Music for this great #location recording.”

Bob Attiyeh

Raizes is a delight: pleasant Brazilan/Euro jazz. The music is well played and sung and one can relax into the hands of a master as Jared presents this music. The sound is superb, with bass (of which there is plenty) descending effortlessly into the floor without dampening anything in the upper frequencies. Beautifully balanced all around.

Per Eklöf (Sweden)

The SQ is fantastic!!! Absolutely world class. The atmosphere is just there and the idea of DSD really shines. WOW! I am so glad there are alternatives to the consumer mixes out there, i.e. where dynamics is what it is, dynamic. I just love it and with good gear you can really enjoy the feeling of ”being there”. Any chatter or musician interaction is part of enjoying this kind of music I think. Kind of live recording feeling. The ”Jazz at the Pawnshop” atmosphere is something to strive for. From my point of view. -

Artists

Technical Specifications

Recording Type Bit RateDSD256
Recording SoftwarePyramix by Merging
Recording LocationMCO studio 1 Hilversum Holland, november 2015
Recording EngineerJared Sacks
ProducerJared Sacks, Jonas Sacks, Breno Virícimo
NoteAll tracks were analog mixed at the session and recorded to 256fs DSD without any post-production.
Mixing BoardRens Heijnis custom made
MicrophonesDPA (Bruel & Kjaer), MPM-91, Neumann, Schoeps
Mastering EquipmentGrimm LS1
Mastering EngineerJared Sacks
Digital ConvertersHAPI by Merging
CablesVan den Hul - 3T