Description
Even though Gabriel Faure (1845-1924) wrote a lyric tragedy, Promthe, and an opera, Pnlope, he found his true vocation as a melodist and composer. He started his musical studies at the Niedermeyer school and followed in the footsteps of his piano teacher, Saint-Sans, who later became his friend. Together with Gounod and Berlioz, Saint-Sans created a new genre: the mlodie that followed on from the 18th century romance and differed from it by its more literary aspects. At the age of 16, Faure wrote his first work: Le papillon et la fleur, based on a poem by Victor Hugo – with a deliberate will to depart from the folklorical aspect, contrary to the German lied…..
Additional information
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Recording location | Doopgezinde Kerk, Amsterdam, The Netherlands |
Mastering equiment | sony DAE 3000 |
Mastering engineer | Bert van der Wolf |
Mixing console | Studer |
Microphones | bruel & Kjaer, Schoeps |
Recording format | pcm 44.1 |
Analog to digital converter | dCS900 |
Recording date | December 1990 |
Editing | Bert van der Wolf |
Composers | |
Recording engineer | Bert van der Wolf |
Producer | Ted Diehl |
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Digital to analog converter | sony |
Press reviews
Répertoire
(…) lintonation reste trs sre et le timbre conserve beaucoup de charme. (…) (…) Linstrument est historique (…) (…) Il apporte ici la voix un prcieux supplment de couleur. (…)
Audio Techniek
(…) een van de mooiste Faur-recitals die ik de laatste jaren op cd heb gehoord. (…) (…) een opname die zo helder is, waarin elk woord perfect verstaanbaart is en waarin de piano prachtig klinkt (…)
Diapason
Bon enregistrement, transparent et homogne.
Trouw
(…) De Erard vleugel uit 1897, waar Van Immerrseel op speelt, biedt de diepte en helderheid voor de uitdrukking van de emoties, terwijl de stem er nuchter een hoogontwikkeld soort spechtegesang aan toevoegt.
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