Toyohiko Satoh 4
€8,99
Description
Robert de Vise “…Le soir, le roi revenant de Trianon, passa chez elle (la duchesse de Bourgogne), o il trouva une trs belle symphonie, compose de Des Costeaux pour la flte allemande, de Viz pour le theorbe, de Buterne pour le clavecin, et de Fourcroy pour la basse de viole. Le roi s’y arrta assez longtemps.” “…In the evening the King, returning from Trianon, called in at the Duchess of Burgundy’s residence, where he found a superb band comprising Des Costeaux on the traverse flute, De Viz on the theorbo, De Buterne on the harpsichord and De Fourcroy on the bass viol. The King stayed quite a while.”…
Additional information
Artists | |
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Recording location | Bethanienkloster Amsterdam, The Netherlands |
Mastering equiment | Sony DAE 3000 |
Mastering engineer | Bert van der Wolf |
Mixing console | Rens Heijnis |
Microphones | Bruel & Kjaer, Schoeps |
Recording format | pcm 44.1 |
Analog to digital converter | dCS900 |
Recording date | June 1990 |
Editing | Tom Peeters |
Composers | |
Recording engineer | Bert van der Wolf |
Producer | Bert van der Wolf |
Type | |
Format | |
Label | |
Genre | |
Digital to analog converter | Sony |
Press reviews
RNZ
Lecherbissen aus Versailles (…) Satoh wei die hohe Kunst franzsicher Verzierungen auf Laute, Barockgitarre und Theorbo mit groer Sachkennis aber auch ebensoviel musikalischem Feingefhl umzusetzen. (…)
Classical Guitar
(…) Here is yet another superb offering from one of the early music scenes most outstanding figures (…) (…) a stylish account of rich and melodic baroque fare which I recommend without reservation.
Repertoire
(…) Il faut dire que Toyohiko Satoh est au meilleur de sa vorme pour les illustrer.(…) (…) La gravure Satoh offre laperu le plus large sur le talent du compositeur.
Gitarre und Laute
(…) Die Stcke erhalten neues Leben. Historische Auffhrungspraxis als Impulsgeber moderne Interpretationen!
Continuo
(…) Toyohiko Satoh is one of the worlds most exciting lutenists, but he doesnt record much these days, so the present disc is doubly welcome for that reason. (…)
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