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Telemann - Concerti da Camera


G. Ph. Telemann

SKU: 5093

Year of release: 1993

'Corellisierende' Sonata in F Major 08:22
1. Largo G. Ph. Telemann 03:02
2. Presto G. Ph. Telemann 01:22
3. Dolce / Grave G. Ph. Telemann 02:35
4. Allegro G. Ph. Telemann 01:22
Paris Quartet in e minor (no. 6) 19:06
5. a discrétion / tres vite / a discrétion G. Ph. Telemann 04:30
6. Gai G. Ph. Telemann 02:37
7. Vite G. Ph. Telemann 01:38
8. Gracieusement G. Ph. Telemann 02:47
9. Distrait G. Ph. Telemann 02:38
10. Modéré G. Ph. Telemann 04:53
Triosonata in B flat major 08:14
11. Dolce G. Ph. Telemann 02:11
12. Vivace G. Ph. Telemann 01:40
13. Siciliana G. Ph. Telemann 02:28
14. Vivace G. Ph. Telemann 01:54
Concerto in a minor 09:46
15. Adagio G. Ph. Telemann 02:32
16. Allegro G. Ph. Telemann 01:40
17. Adagio G. Ph. Telemann 01:39
18. Vivace G. Ph. Telemann 03:53
Quadro in g minor 07:52
19. Allegro G. Ph. Telemann 01:55
20. Adagio G. Ph. Telemann 02:05
21. Allegro G. Ph. Telemann 03:51
Total time: 53:22

About this album

CHAMBER Music BY GEORG PHILIPP TELEMANN Telemann was a composer of astonishing versatility, and nowhere is this quality more evident than in his trios and quartets for wind and string instruments. He composed in both the Italian and French styles, sometimes very distinctly in one or the other, and at other times blending them together. He was influenced by such diverse elements as the galant style and ‘barbaric’ Polish folk music. The results are truly impressive, for Telemann clearly loved and understood these various styles and used them as sources of inspiration rather than strict guidelines for moulding musical content.
CORELLISIERENDE SONATA IN F MAJOR This work is the first in a group of six sonatas in which Telemann pays tribute to the great Italian master, Arcangello Corelli. The work contains several of the hallmarks of Corelli’s style such as walking basses, series of suspensions, and energetic contrapuntal writing. However the work is undeniably Telemann’s own as exemplified in the air of sweetness of the first movement, and the ‘jazzy’ contrary motion of the two violins over a pedal point at the close of the final movement.

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Neue Bürcher Zeitung (Switserland)

(...) ...löst die sehr lebendige dargestellte Musik als Zeitdokument des Holocaust von neuen Betroffenheit aus.

Monde de la Musique

(...) La partition est très convaincante dans l'interprétation de l'Ensemble Disman. (...)

BBC Magazine

(...) the performances have a vivid and splendidly theatrical feel which cannot fail to move the listener.


(...) Een cd om van te houden (...)

American Record Guide

Contributing considerably to the success of this collection is the zest, energy, and stylish spirit of the seven players who make up this group-virtuosic and knowledgeable, they also sound as if they are having tremendous fun with these pieces. (...)


(...) Diese Prager Interpretation rekonstruiert das Klangerlebnis - und wohl auch den Moment der (be-) Rührung. (...) Mehr als nur ein Zeitdokument.


Diapason d'Or award (...) L'ensemble Florilegium fait montre d'une infaillible virtuosité et d'une grande diversité expressive. (...) (...) A solid performance by this new group that is sure to produce more disc of quality playing in a wide variety of music. Florilegium: remember that name! They are among the great, the poets, the magicians who hypnotize you (...) All the works are superbly played (...)


(...) but the disc is still a worthwhile acquisition for the prosperous Telemanniac.

Technical Specifications

Digital To Analog ConverterSony
Mastering EquimentSony digital Editor 3000
Mastering EngineerBert van der Wolf
Mixing ConsoleRens Heijnis Custom made
MicrophonesBruel & Kjaer, Schoeps
Recording FormatPCM 44.1
Analog To Digital ConverterdCS900
Recording DateOctober 1992
Recording LocationSchlosskirche Bad Homburg, Germany
EditingBert van der Wolf
Recording EngineerBert van der Wolf
ProducerTed Diehl