€8,99 – €29,99
We offer a fresh and different – yet historically informed – perspective on the three sonatas for viola da gamba and harpsichord by J.S. Bach. With our rather uncommon instrumentation, we contribute with a neglected perspective to the framework of understanding of these sonatas in their historical context. In our approach, we have been considering the fact that violists in J. S. Bach’s time had very little sonata repertoire and for this reason possibly “borrowed” repertoire from the viol. The three sonatas for viola da gamba are particularly adapted to the viola da braccio with almost no changes in terms of octavations or arrangements.
– Marie Stockmarr Becker and Ilaria Macedonio
[from liner notes]
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| Format | |
| Type | CD, DSD 512 fs, DSD 256 fs, DSD 128 fs, DSD 64 fs, DXD 24 Bit, FLAC 192 kHz, FLAC 96 kHz, MP3 44.1 kHz |
| Production | Ragnheiður Jónsdóttir |
| Recording engineer | Ragnheiður Jónsdóttir |
| Recording location | Garnison Church, Copenhagen, Denmark |
| Recording date | 25-29 February 2020 |
| Analog to digital converter | Hapi/Merging Technologies |
| Recording format | DXD |
| Microphones | DPA 4006A |
| Cables | XLR / Thomann |
| Editing | Ragnheiður Jónsdóttir |
| Mastering engineer | Ragnheiður Jónsdóttir |
(…) Une vision particulièrement convaincante, où les deux musiciennes se distinguent dans leur dialogue par leur entente mutuelle, leur geste ample et leur respiration fluide (…) Magnifique en tous cas, l’écoute de cette nouvelle parution Channel reste fortement recommandée.
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