Grandissima Gravita

8,9933,49

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SKU: 39217 Category:

Tracklist

1.
Sonata for violin and continuo in A major op. 2 no. 2
06:18
2.
Sonata for violin and continuo in A minor - Andante Cantabile
08:08
3.
Sonata for violin and continuo in A minor - Allegro
03:46
4.
Sonata for violin and continuo in A minor - Allegro assai
03:54
5.
Sonata for violin and continuo in G minor op 2 no. 5 - Adagio assai
04:28
6.
Sonata for violin and continuo in G minor op 2 no. 5 - Capriciio
04:46
7.
Sonata for violin and continuo in G minor op 2 no. 5 - Allegro assai
02:48
8.
Sonata for violin and continuo in G minor op 2 no. 5 - Giga
02:25
9.
Sonata for violin and harpsichord in C minor - Adaio
02:42
10.
Sonata for violin and harpsichord in C minor - Presto
03:22
11.
Sonata for violin and harpsichord in C minor - Affetuoso
02:50
12.
Sonata for violin and harpsichord in C minor - Vivace
03:36
13.
Sonata no. 12 for violin and continuo in D minor - Passagallo
04:15
14.
Sonata no. 12 for violin and continuo in D minor - Capriccio cromatico
03:04
15.
Sonata no. 12 for violin and continuo in D minor - Adagio, Ciaccona
07:10
16.
Sonata a solo in E flat major
03:30

Additional information

Artists

Composers

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Genre

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Label

Format

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Type

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Production

Jonathan Freeman Attwood

Recording engineer

Jared Sacks

Editing

Jared Sacks

Recording location

St. Judes on the Hill, Hampstead, London

Recording date

September 2016

Analog to digital converter

Horus

Microphones

Bruel & Kyaer

Mixing console

Rens Heijnis custom made

Cables

van der Hul

Mastering engineer

Jared Sacks

Mastering equiment

Pyramix

Digital to analog converter

Merging

Speakers

Grimm LS1

Press reviews

Klassik.com

(…) Wer noch ein Weinachtsgeschenk für Freunde italienischer und italienisch inspirierter Geigenmisik des 18.Jahrhundert sucht, dürfte mit dieser CD goldrichtig liegen. (…)

BostonConcertReviews

(…) another gem in which each radiant quick strike of violin, cello, lute or harpsichord is heard buoyant and tactile alive. (…) This recording is so present and dynamic that you can easily visualize Podger smiling and dancing in place to each of her long punctuated strokes (or dynamic quip) on her violin. (…)

Yle.fi

(…) British Baroque violinist Rachel Podger has previously fascinated me both with Mozart’s sonatas and early baroque kumbering, which explains his understanding of the extent and style of his infertility. The latest feature of Podger and record label Channel Classics with the title “Grandissima Gravita” is perhaps even more fascinating than before – it contains music from the baroque jewels of the Golden Age. Tartini, Veracini, Vivaldi and Pisendel were violinist composers in Italy at the beginning of the 18th century when the skill of composing a violin and playing music had evolved to a peak. (…)

The Strad

Her accounts of the Vivaldi, Tartini and Pisendel sonatas are all turned with style, imagination and sensitivity and she introduces vibrato and extempore ornamentation freely. She is underpinned throughout by an excellent continuo team (…) The recording is typically lucid, detailed and ideally balanced.

Stereophile.com

(…) Most evident are Podger’s distinctively tangy, pungent sound—a winning combination of acid and sweetness that seems ideal for her chosen repertoire—and her ability to enliven every phrase she plays. Auditioned via a stereo DSD128 download from nativeDSD.com, Podger’s playing sounds glorious throughout. (…) another potential award-winner for Podger and Brecon Baroque

Gramophone [Editor’s Choice Dec 2017] 5 out of 5

Programmed and presented with flair, and faultlessly performed, this is a listening experience of unbridled pleasure. An exceptional album.

Musicweb International

Superbly performed and recorded as you would expect, this is a very fine collection of some intriguing and entertaining works. Bringing out the best of four musicians, the sound created is full and colourful, from sparkling harpsichord, thrumming lute and support for the bass line from the cello, Rachel Podger’s virtuoso violin has plenty of substance over which it can sing and declaim with joyous expressiveness. (…) this is some of the best Baroque period music making currently available on this particular planet.

Diapason (5)

Rachel Podger, aussi spirituelle que lyrique, en transe ou méditant, l’archet bien à la corde ou peignant les harmoniques, fait face à ces ténèbres avec une telle spontanéité qu’elle rend unique chacune de ces pages, et met magnifiquement en valeur le clair-obscur de cette musique italienne.

HRAudio.net 5 out of 5

(…) the contribution of members of Brecon Baroque – Daniele Caminiti (lute and guitar), Alison McGillivray (cello) and Marcin Świątkiewicz (harpsichord) – is as delightful and imaginative as that of the soloist. (…) unusual and amusing liner notes by Mark Seow (…) the sound on this multi-channel DSD possesses the remarkable vividness, warmth and realism that one has come to expect from every Channel Classics release on SACD. (…) The typically incomparable level of artistry and technical excellence Rachel Podger and her Brecon Baroque colleagues brings to each of these sonatas ensure that this SACD warrants the highest recommendation.

Luister (Luister 9) 5.5555555555556 out of 5

(…) De violiste inspireert met haar ongelofelijk verfijnde en kalme spel en laat horen terecht gekroond te zijn tot koningin van de barokviool (…) sensitieve musici (…) Een groot compliment verdient Mark Seow, schrijver van de programmatoelichting. (…)

BBC Music Magazine [Chamber Choice, Dec 2017] 5 out of 5

“Rachel Podger, inevitably, is the star, but ultimately the disc’s compulsive spell is down to the triumph of ensemble chemistry. Even the humblest of cello lines is elevated beyond functionality into something expressive and integral to the overall effect. Bewitching.”

5 ***** for Performance
5 ***** for Recording

BBC Radio 3 – CD Review

The expressive freedom they find together is a real joy. (…) The quality of conversation between the four of them is riveting, full of incident and dynamic interplay.

iClassical 5 out of 5

Another superb recording from the award-winning Rachel Podger and Brecon Baroque.

Opus Klassiek

(…) Dit zijn uitvoeringen die van begin tot eind een diepe indruk maken. (…)de perfecte articulatie, het kleurrijke lijnenspel, de pregnante ritmiek, de bereidheid ook om het scherp van de snede op te zoeken. En dan is er niet in de laatste plaats Jared Sacks die in het Londense St Jude’s-on-the-Hill er weer een opnamtechnisch juweel van heeft gemaakt.

Stereophile Magazine [March 2018] 5 out of 5

A treat for baroque completists and violin lovers [4 stars for Performance, 5 stars for Sonics]

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