Description
The string quartets of Debussy, Ravel and Dutilleux Is there such a thing as typically French music? Can the compositions of Debussy, Ravel and Dutilleux be compared on that level? Debussys attitude to an alchimie sonore and his conviction that discipline should be sought in freedom and not in the formulas of a failed philosophy is not exclusively French. Debussy fought against the rigid rules of French academicism. Nevertheless, it is especially this struggle as well as a passion for the alchemy of sound, whether French or otherwise that unites Debussy, Ravel and Dutilleux and their works. Not only was each of these composers fascinated by the phenomenon of sound, but also by the many technical possibilities to mould tones into sounds without using hackneyed formulas. Discipline in freedom or freedom in discipline. In fact, that is as far as Debussy and Ravel can be compared. Still, the works of Boulez as well as those of Dutilleux later connect the two facets of a synthesis, Debussys anti-classicism on the one hand and Ravels classicism on the other….
Additional information
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Recording location | Resnswoude – The Netherlands |
Mastering equiment | Sony digital Editor 3000 |
Mastering engineer | Bert van der Wolf |
Mixing console | Rens Heijnis Custom made |
Microphones | Bruel & Kjaer, Schoeps |
Recording format | PCM 44.1 |
Analog to digital converter | dCS900 |
Editing | Bert van der Wolf |
Composers | |
Recording engineer | Bert van der Wolf |
Producer | Ted Diehl |
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Digital to analog converter | Sony |
Press reviews
Fanfare
(…) The group handles the familiar works with assurance and style, their Debussy feathery and luminous, their Ravel with weightless precision and a rhythmic cutting edge.
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