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Bach - Suites and Preludes

Katona Twins


SKU: 34713

Year of release: 2013

French Suite No. 5 in D 03:11
1. Allemande Bach 03:11
Bach 01:43
2. French Suite No. 5 in D - Courante Bach 01:43
French Suite No. 5 in D 12:43
3. Sarabande Bach 03:57
4. Gavotte Bach 01:11
5. Bourree Bach 01:24
6. Loure Bach 02:40
7. Gigue Bach 03:30
English Suite no. 3 18:10
8. Prelude Bach 03:30
9. Allemande Bach 03:04
10. Courante Bach 02:22
11. Sarabande Bach 03:18
12. Gavotte I & II Bach 03:05
13. Gigue Bach 02:48
Prelude, Fugue and Allegro in D 12:18
14. Prelude Bach 02:26
15. Fugue Bach 06:24
16. Allegro Bach 03:27
Suite in E minor 15:27
17. Praeludio Bach 02:40
18. Allemande Bach 02:35
19. Courante Bach 02:17
20. Sarabande Bach 03:34
21. Bourree Bach 01:14
22. Gigue Bach 03:05
Total time: 63:34

About this album

On this disk we recorded two duets and two solo works by J.S. Bach. The duets were originally composed for the harpsichord and the solo pieces for the lute. Because of the complexity and difficulty of lute works, many support the idea that these works were written for an instrument called the “Lauten werck” or lute-harpsichord (a small harpsichord with a similarly shaped body to that of a lute). We know that Bach possessed at least two of these instruments, according to the inventory of instruments made at his death. He was also in contact with one of the most famous lutenists of the time: Sylvius Leopold Weiss, whose acquaintance might have contributed to the emergence of these works for lute.The English and the French suites are both a set of six suites, from which we chose the French Suite No. 5, BWV 816 and the English SuiteNo.3, BWV 808. The names French and English were given after Bach’s death and have, if anything more to do with French style lute and keyboard music, than with the English baroque style. To add to the confusion theCourante in the fifth French Suite is Italian with a rapid triple meter and not French.The English Suites might have been composed for an English nobleman(although there is no substantial evidence to support this) but they all start with a Prelude, which has more affinity with French music (with the difference that Bach’s Preludes are composed in strict meter).J.S.Bach: Prelude, Fugue and Allegro, BWV 998: Because of its unusual three movements the “Prelude, Fugue and Allegro” is a highly controversial work. Bach wrote many preludes and fugues but this is the only one with a third movement, an Allegro, attached. Some are of the opinion, that this isa fragment from an unfinished bigger work. There is a group of musicologists however, who believe it to be a work, composed towards the end ofBach’s life with a theological message and the number 3 at its core. There is another Trinitarian work by Bach: the “Kleines harmonisches Labyrinth”(BWV 591) which existence strengthens the argument that Bach was applying theological aspects to the Prelude, Fugue and Allegro.There is no autograph by Bach for the Suite in e-minor, BWV 996 and the primary source is a copy by Johann Gottfried Walther and another one made a couple years later by Heinrich Nikolaus Gerber, who was a student of J. S. Bach.The E minor Lute Suite is composed just like the traditional Froberger keyboard suite model (four basic dance movements allemande, courante,sarabande, and gigue) to which Bach added a florid Passaggio (a prelude whose origins are to be found in the improvised introductions to organ toccatas) and a lively Bourrée.

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Akkoord Magazine

(...) The Katona Twins, the Hungary-born brothers Peter and Zoltan, bring an effortless virtuosity and pleasantness in these transcriptions of Bach's music. The sound of a harpsichord and a guitar do not even differ that much, which make these performances very naturally.

"The Katona brothers' arrangements of a selection from Bach's English and French Suites (originally for clavier) are rather novel and quite illuminating. (...) This is a highly desirable disk of Bach's music, played with freshness, elegance and wit. It sports many attractive tone-colours to add to the entertainment."

Opus Klassiek

(...) Wat de beide uiterst muzikale Katona-broers zowel interpretatief als technisch presteren getuigt van zeer hoog niveau. Het is een voortdurend genot om naar dit duo te luisteren. We krijgen ‘Bach vanuit een ander perspectief’ voorgeschoteld dat uitstekend bevalt. Bovendien: de gitaar – mits heel goed bespeeld en zeker als het er twee zijn, zoals hier – leent zich uitstekend voor het doorgronden van complexe polyfonie. In deze stukken wordt ieder detail van de textuur danook haarscherp waargenomen. Dat brengt me op de uitstekend geslaagde opname die het allemaal laat horen, het zoveelste juweeltje uit de Channel Classics-stal!

Audiophile Audition

The Katona Twins have been called the world’s best-known classical guitar duo. Their technique is fabulous and with the excellent hi-res surround offered by Channel Classics, this becomes a wonderful album for music lovers, even those who may look askance at Bach arrangements. (...)


(...) it's pure quality. This is a thoughtful, balanced, and beautiful recording, where everything seems to stand in the right place. (...) Overall, the playing is technically excellent and effortless (...) The two brothers play with care and confidence, with expressive intonation, letting Bach's wisdom shine through. (...) the recording quality is very good, full and friendly. (...) Amazon

Technical Specifications

Recording Type Bit RateDSD64
SpeakersAudiolab, Holland
Recording SoftwarePyramix bij Merging
Recording LocationDoopgezinde Kerk, Deventer Holland 2013
Recording EngineerJared Sacks
ProducerJared Sacks
Mixing BoardRens Heijnis custom design
MicrophonesBruel & Kjaer, Schoeps
Mastering EquipmentB&W 803 diamond series
Mastering EngineerJared Sacks
Digital ConvertersGrimm A/D DSD / Meitner DA
Cablesvan den Hul T3 series