Walter van Hauwe – Blockflutes 3

8,9939,99

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SKU: 3392 Category:

Tracklist

1.
Ground
00:00
2.
Ground
01:52
3.
Balade
02:25
4.
Ground
04:21
5.
Pavane Lachrimae
01:41
6.
Pavane Lachrimae
00:00
7.
'Stil, stil ereis''
00:00
8.
'Fantasie & echo''
01:23
9.
'Doen Daphne d'over schoone Maeght''
00:00
10.
'Wel Jan..&''
01:32
11.
'Le Rose''
00:00
12.
Ricercata
02:59
13.
"Susanne ung jour''
00:00
14.
Canzona
00:00
15.
Ricercata
02:03
16.
Sonata seconda
00:00

Description

An important part of European music at the time of the Renaissance was the art of varfattsn. One need only recall the virtoostic art of ornamentatioo practised in Italy, or Spanish composers such as Cahezon, Milan, Mudarra or Ortia, with their diferencias, recercaden and glosas. The sources were very often folksongs and folk dances, from whose originally improvised accompaniments instrumental forms developed, such as diferencias over well-known folk tones, or variations based on dance forms, like the pavan, passamezzo or the follia, among others. The variation technique which, in the school of English virginal composers was further developed and brought to a new golden age, is the division or diminution in the broadest sense- and ornamentation by which each tone in the theme returns in the division surrounded by other tones. The origin of the division is to be sought in the art of improvisation on the one hand, and on the other in the various variation forms which were experimented with in the 16th century, particularly in Spain, Italy and Germany…….

Additional information

Artists

Composers

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Genre

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Label

Format

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Type

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Producer

Walter van Hauwe

Recording engineer

Jared Sacks, Bert van der Wolf

Recording location

Doopsgezinde Kerk, Amsterdam Holland

Recording date

June 1990

Analog to digital converter

dCS900

Recording format

PCM 44.1

Microphones

Bruel & Kjaer, Schoeps

Mixing console

Studer

Mastering equiment

Sony digital Editor 3000

Digital to analog converter

Sony

Press reviews

Fanfare

(…) Van Hauwe is truly a virtuoso master of his instrument. (…)

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