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Basso Bailando

Rick Stotijn

Piazzolla, Rota, De Falla

SKU: 33613

Year of release: 2013

Four Seasons 27:44
1. Otono Porteno Piazzolla 07:56
2. Invierno Porteno Piazzolla 07:21
3. Primavera Porteno Piazzolla 05:04
4. Verano Porteno Piazzolla 07:21
Divertimetno Concertanto 25:30
5. Allegro Rota 09:50
6. Aria Rota 04:02
7. Marcia Rota 06:25
8. Finale Rota 05:11
7 Canciones 12:51
9. El Pano Moruno De Falla 01:22
10. Asturiana De Falla 02:41
11. Jota De Falla 03:10
12. Nana De Falla 02:37
13. Cancion De Falla 01:32
14. Polo De Falla 01:27
Total time: 66:06

About this album

The Four Seasons of Buenos Aires
‘Tango, for me, was always for the ear more than the feet’. Thus Astor Piazzolla, the man who took one of the most popular dances in the western world to great heights. In so doing, he overstepped the border between popular and classical music time and time again. He was the master of the tango – not for bars and cafes, but for the concert hall. Perhaps his greatest achievement was to combine the classical Argentinian tango with the musical world of Debussy and Ravel, and to elevate it to ‘serious’ art. During his lifetime, Piazzolla witnessed the continuous transformation of the national dance of Argentina, and it was this gradual evolution that he wished to capture in musical notation, as in his Histoire du Tango.
From Mar del Plata in Argentina, where Astor was born in 1921, the family moved to the Little Italy district of New York, where his ears overflowed with American jazz and pop. But his father gave him a bandoneón, a large Argentinian concert instrument, so that he could keep alive the family’s ties with the culture of their homeland. Meanwhile, Astor studied classical music. In 1934 he already made recordings with the great Argentinian tango pioneer Carlos Gardel, who died soon afterwards in a plane crash. After returning to Argentina, Piazzolla played the bandoneón in a tango orchestra in Buenos Aires from 1936-1944. The amalgam of jazz and tango that he developed was an early version of what he was later to call tango nuevo.
In Argentina, however, classical music continued to tug at him. Through a chance meeting with the pianist Artur Rubinstein, Piazzolla came into contact with Alberto Ginastera, the leading Argentinian composer of the period. Years of involvement in classical music were to follow, under the guiding hand of Ginastera. In 1954, Piazzolla even went to Nadia Boulanger in Paris, the most famous composition teacher of the time. And it was through this experience that he got back on the track of the tango, for when Boulanger heard him play his own tangos, she told him to throw away all his other compositions. Back in his homeland he developed the tango nuevo, breaking with the traditional sound of the tango with which his countrymen were so familiar. Considerable antagonism was his reward, and even a punch-up in the streets. 
 
Piazzolla’s star rose quickly, however, particularly outside his country. He became famous for his ensemble Quinteto Tango Nuevo, founded in 1960, and his oeuvre grew to more than 750 modern tango compositions. In 1968 even the most hardened devotees of the traditional tango were won over by Maria de Buenos Aires, a stage production inspired by Gershwin’s Porgy and Bess. For the last twenty years of his life, Piazzolla was a national hero in Argentinia. Progressive classical musicians too, including the members of the Kronos Quartet, did not pass by his door. Astor Piazzolla died in Buenos Aires on 5 July 1992

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Reviews

Nederlands Dagblad

(…) Mooi dat Rick Stotijn voor zijn instrument geregeld muziek laat arrangeren die onder zijn handen een nieuw leven krijgt. (…)Stotijn maakt mooi gebruik van de enorme toonomvang van zijn instrument, dat hij laat zingen, soms met opvallende slidings.

SA-CD.net

The evocatively witty cover photograph on Rick Stotijn's wonderful new SACD 'Basso Bailando' gives an immediate flavour of the many delights contained on this disc. (...) his stunning playing and warm tone are a delight. (...) this is a more than worthy successor to Rick Stotijn's marvellous Bottesini disc.

Audiophile Audition

(...) you don’t need the basic tango quintet with bandoneon in order to transmit the wonderful emotional message of tango music. (...) The hi-res surround is perfect for the material. (...) a great job of crossing over the borders between classical and popular music.

Klassik.com

(...) eine schlichtweg grandiose Einspielung, in der die Qualitäten und Potentiale des Streichorchesters mustergültig zum Ausdruck kommen. (...) dynamisch weit aufgefächerten, klangfarblich detailgenauen Klangbild (...) erstklassige Produktion.

Opus Klassiek

(...) Rick Stotijn is een rasmuzikant die al eerder heeft bewezen dat hij zijn beurtelings ronkende, twinkelende, smachtende en diep geplukte instrument naar (bijna letterlijk!) grote hoogten op kon stuwen. Rick haald de contrabas uit zijn vastgeroeste orkestrale kaders, maar ook uit zijn 'geplukte' rol als begeleidingsinstrument. (...) deze uiterst geraffineerde bewerkingen zijn niet alleen een ware lust voor het oor, maar zullen ook door de kenners van het weerbarstige instrument zeker worden gewaardeerd. (...) De door Jared Sacks gemaakte opname staat als een casa.

Aussi-HiFi

This disc demonstrates definitively that you do not need the basic tango quintet with bandoneon to transmit the strong emotional message of tango: it features only strings. (...) The Falla Spanish folk songs (without words) have echoes of Andalusian flamenco and the hi-res surround is perfect for the material.

De Telegraaf

(...) Stotijn is met zijn bas een grote verleider; de violist Malin Broman en het Zweeds Radio Symfonieorkest huilen en dansen met hem mee. (...) Een snoezige versie van De Falla’s Siete canciones populares españolas voor bas en harp (Lavinia Meijer).

Gramophone

(...) there ’s much to admire in the Dutchman’s soulful delivery of Piazzolla’s music, capturing the moods from the romantic to the menacing. (...) an effervescent performance (the Divertimento concertanto by Nino Rota) (...) Stotijn keeps our attention from his commanding first entry through to his ‘cheeky chappie’ characterisation of the finale’s rondo theme.

Technical Specifications

Recording Type Bit RateDSD64
SpeakersAudiolab Holland
Recording SoftwarePyramix
Recording LocationStockholm Sweden, Schiedam Holland
Recording EngineerJared Sacks
ProducerJared Sacks
Mixing BoardRens Heijnis custom made
MicrophonesBruel & Kjaer, Schoeps
Mastering EquipmentB+W 803 diamond series
Mastering EngineerJared Sacks
Digital ConvertersGrimm DSD AD
Cablesvan den Hul