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Liasons vol. 3


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SKU: 28511 Category:


Sonata in D-minor, Wq 69 (H 53) - Allegro
Sonata in D-minor, Wq 69 (H 53) - Andante
Sonata in D-minor, Wq 69 (H 53) - Allegretto con variazioni
5 Waltzes, op. 3 (1925, rev. 1969) - I. Rather fast and nervous
5 Waltzes, op. 3 (1925, rev. 1969) - II. Quick, with wit
5 Waltzes, op. 3 (1925, rev. 1969) - III. Dramatic
5 Waltzes, op. 3 (1925, rev. 1969) - IV. Rhythmic; not fast
5 Waltzes, op. 3 (1925, rev. 1969) - V. Variations. Quiet and simple
La Böhmer (Murky), Wq 117 _ 26 - Allegro
La Böhmer (Murky), Wq 117 _ 26 - Prestissimo
La Böhmer (Murky), Wq 117 _ 26 - I. Early Morning Bathe (Vivace ma non troppo presto)
La Böhmer (Murky), Wq 117 _ 26 - II. Sailing (Andante comodo)
La Böhmer (Murky), Wq 117 _ 26 - III. Fun-Fair (Allegro brillantissimo)
La Böhmer (Murky), Wq 117 _ 26 - IV. Night (Molto lento e tranquillo, sempre rubato)
La Böhmer (Murky), Wq 117 _ 26 - Allegro di molto
La Böhmer (Murky), Wq 117 _ 26 - Adagio assai, sostenuto, ed affettuoso
La Böhmer (Murky), Wq 117 _ 26 - Presto
La Böhmer (Murky), Wq 117 _ 26 - Lento tranquillo


The word liaison can be translated in many ways: affair, affinity, connection, link, relationship, union. The CDs in the Liaisons series each feature two particular composers, enabling us to explore their musical worlds, sources of inspiration and degree of influence. At the same time, the recordings reveal their most conspicuous differences and their common denominators. Some of these composers are not often heard together (for example D. Scarlatti & Bartók or C.Ph.E. Bach & Britten). However, when time barriers and stylistic differences are put aside, many similarities may be discovered: as if the dialect is different, but the language common. On the other hand, composers who we may imagine to be very similar, and easy to combine in any programme (for example Schumann & Brahms), reveal a whole new world of diversity and contrast when heard together. Through a careful choice of composers and compositions on each CD, the Liaisons series offers a bright spectrum of colours, variety and dynamic range, challenging the listener anew with every release. The present third volume combines the very few original works for piano solo by Benjamin Britten with C.Ph.E. Bach’s Prussian Sonatas. Britten’s pieces, in all their minimalism, “unusual purity” (Arvo Pärt), perfect clarity and sometimes even emotionally restricted formality, contrast with the emerging Sturm und Drang atmosphere of Bach’s sonatas, with their freedom and variety of structural design, lucid style, delicate and tender expression, inventiveness and extreme unpredictability. Dejan Lazi?

Additional information


Mastering equipment

B+W 803 diamond series


Audiolab Holland

Recording software


Recording location

Eindhoven Holland

Recording engineer

Jared Sacks


Jared Sacks

Mixing board

Rens Heijnis custom made


Bruel & Kjaer, Schoeps

Mastering engineer

Jared SAcks



Digital converters

Meitner DSD AD/DA


van den Hul


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Recording type bit rate


Press reviews

Klassieke Zaken

arl Philipp en Britten gaan prima samen: de fruitige sonates (Wq 69, H 53 en Wq 65/42, H 189) van de pruikenkop parelen tussen Brittens steviger composities als de Vijf walsen opus 3, geschreven door een pas twaalfjarige knaap, die niettemin al goed in de smiezen had hoe je de nootjes het slimst onder elkaar kon zetten. Net als in Holiday diary, uit 1934, waarin Lazic dromerig de verre horizon aan zich voorbij laat glijden (Sailing) en een onbestemde sfeer oproept (Night). Dat het zo goed boert tussen de componisten komt vooral door Lazic: hij kiest voor ieder stuk de juiste tint en is niet bang het basregister wat aan te dikken, terwijl de rechterhand twinkeltonen inzet. Fraai opgenomen bovendien.


verrukkelijk spannend en inspirerend (…) de dwarsverbanden die ontstaan lokken een hoge scherpzinnige vorm van genieten uit.

Auf der dritten CD seiner ‘Liaisons’-Reihe führt der in Kroatien geborene, in Salzburg ausgebildete und in Amsterdam wohnende Pianist Dejan Lazic ein ungewöhnliches Paar über zwei Jahrhunderte hinweg zusammen: Carl Philipp Emanuel Bach und Benjamin Britten. Bachs drei Sonaten sind immer wieder überraschend, emotional überbordend und vielfältig, Brittens weitgehend unbekannte Miniaturen, aus dem schmalen Klavier-Solo-Oeuvre des Briten klug ausgewählt, dagegen schlicht und klar. Beides liegt Lazic, der mit feinfühligem, geistreichem, nie aufdringlichem Spiel beeindruckt. Nicht nur deshalb wird aus der überraschenden eine überzeugende Paarung.

The Telegraph

Lazic plays with palpable heart, with genuine spirit that derives entirely from the music itself, with dexterity, subtlety and insight that make this recital thoroughly compelling. 5 out of 5

The ever inventive and exploratory mind of Dejan Lazic has once again led to the production of an unmissable SACD in the series of recordings for Channel Classics that he calls ‘Liaisons’. In this series (of which the disc under review is Vol.3) Lazic programmes the music of two apparently quite disparate composers and challenges us to listen with fresh ears to the various compositions involved. This idea might seem bizarre and fraught with difficulties, but such is the skill with which Lazic builds his programmes and the prodigious pianistic talent that he brings to the execution of them, the result is an unqualified triumph. (…) Those who have acquired Dejan Lazic’s two earlier ‘Liaison’ discs will need little encouragement to investigate the latest intriguing release by this phenomenal musician. Those who have yet to investigate ‘Liaisons’ have a real treat awaiting them.

International Record Review

it’s all about the alchemy that occurs when different sound-worlds, two centuries apart, collide. (…) This serendipitous liaison is made all the more cogent by the pianistic achievements of Lazic, whose magical touch invigorates the more impassioned moments, such as the Andante to Bach’s Sonata in D minor as well as in the mellifluous murmerings of Britten’s Night Piece with which the CD concludes. (…) Whatever we’re in for next, I hungrily await his next iconoclastic serving.

Het Parool

Britten en Bach: mooie combi (…) elke maat zindert (…)


Croatian pianist/composer Dejan Lazic, enjoying a distinguished career, has made a number of superb recordings for Channel Classics. (…) Performances are of the highest quality, and the solo piano is very well recorded.

BBC Music Magazine

Lazic’s fastidiously articulated fingerwork and his feel for CPE’s cultivated waywardness are persuasive.(…) Britten’s liaisons with solo piano might be small, but, as Lazic demonstrates, they’re perfectly formed.


Dejan Lazi?’s decision to pair C. P. E. Bach and Britten on the same CD may be seen as either a bold venture or a combination of two composers too different for comfortable pairing. Either way, this CD’s content will challenge the listener. (…)
The Bach prestissimo piece here titled La Bohmer flies like a whirlwind, indicating Lazic’s superb technique and, more importantly, his wonderful sense of ‘binding’ phrases even at such a hectic pace…I found this to be a most enjoyable CD (…)


The Croation pianist is building up a valuable discography with Channel Classics, each new release characterised by unconventional programming and consistently winning performances. Anyone who has the nerve to transform Brahms’s Violin Concerto into an astonishingly convincing piano concerto must be a special talent. (…) Lazic’s unpredictable union works surprisingly well. (…) His feather-light despatch of the D minor Sonata’s last movement variations [C.P.E. Bach] almost melts into the first of Britten’s early Five Waltzes. (…)


Serbian-born pianist and composer Dejan Lazic dazzles with great taste, phrasing, and a clear style of playing in this album of complementary works by C.P.E. Bach and Benjamin Britten. (…) Lazic truly understands the music, as is evidenced by his tasteful phrasing and slight rubati that create dramatic tension in the opening movement of the Bach Sonata in D minor. The turns and trills are lovely ornaments that simply roll off of his fingers, and throughout the sonata his sound is clean and bright. Lazic makes the melody flowing back and forth between hands in the final movement sound like a continuous stream of music. (…) Thanks to a clear, balanced recording quality, Lazic always sounds warm and bright; there is never any unwanted or excess noise in his playing. He is an intelligent artist who has chosen repertoire that is well suited to him and that makes an interesting program. (…) The fact that Lazic can evoke such a wide variety of emotions is a testament to his skills.

Audiophile Audition

This is a fascinating album well worth the investment, as all of the music will repay repeated hearing and give no end of pleasure. Channel’s hi-res sound is beautifully presented.


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