Rossini – Un Petit Train de Plaisir vol. 3

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Tracklist

1.
Prélude Blageur
04:25
2.
Des Tritons S'il Vous Plait
01:16
3.
Petite Pensée
01:29
4.
Une Bagatelle
00:00
5.
Mélodie Italienne: Une Bagatelle
00:58
6.
Petite Caprice
00:00
7.
Échantillon De Blague Mélodique Sur Les Noires De La Main Droite
00:00
8.
Mélodie Candide
02:28
9.
Prélude Italien
00:00
10.
Énchantillon Du Chant De Noël À L'Italienne
03:19
11.
Impromptu Tarantellisé
03:22
12.
Valse Torturée
03:43
13.
Marche Et Réminiscences Pour Mon Dernier Voyage
05:36
14.
Un Petit Train De Plaisir, Comico-Imitatif
06:56

Description

This is now the third recording with which I continue my journey into the world of Rossini’s later works. Here we have a Rossini who clearly enjoyed the closing years of his life, in his beloved Paris, which once again allowed him free rein for his brilliant creativity. One of the results of this freedom was an abundance of mostly shorter character pieces, which he jokingly referred to as “Pchs de Vieillesse”, or “Sins of old age”. These works are typified by their great diversity, and they are the expressions of an exceptional talent who had broken free of musical dogma: ironic, meditative, personal, and unafraid of disapproval or self-deprecation. All of these things can be heard in the works on this CD. For example, irony can immediately be seen in titles like “Valse Torture” (tortured waltz) or “chantillon de Blague Mlodique sur let noires de la main droite” (A sample of melodic nonsense on the black keys for the right hand). This unusual brand of humor is even more clearly marked in “Petit Caprice (Style Offenbach)” where Rossini targets the operettas of Offenbach which were so successful at the time, nor does he spare the pianist, giving the climaxes an almost absurd virtuosity with his use of difficult octave glissandi. The irony is even less restrained in “Des Tritons s’il vous Plat” (Some tritones please), a harmony exercise in disguise which immediately recalls the warming-up exercises of singers. But Rossini shows us a very different face in works like “chantillon du Chant de Nol l’italienne”, intimate and meditative, a distant evocation of an Italian Christmas carol, or “Marche et Reminiscences pour mon dernier Voyage” (March and Reminiscences for my last journey).

Additional information

Artists

Recording location

Doopsgezinde Kerk Deventer, The Netherlands

Mastering equiment

Sadie Audio system

Mastering engineer

Jared Sacks

Mixing console

Rens Heijnis Custom made

Microphones

Bruel & Kjaer, Schoeps

Analog to digital converter

Prism 24 bit / Genex Recorder

Recording date

April 2000

Editing

Jared Sacks

Composers

Recording engineer

jared Sacks

Producer

Jared Sacks, Paulo Giacoetti

Type

, ,

Format

,

Label

Genre

,

Digital to analog converter

Sony

Press reviews

Gooi- en Eemlander

(…) Genieten van het sprankelijke spel van de pianist.

The Flying Inkpot (WWW)

En petit train de plaisir (…) firmly refined technique at his fingertips (…) (…) this is a delightful curnucopia of high spirits and child-like enjoyment (…)

Pianowereld

(…) Giacometti maakt de muzikale grappen en overpeinzingen tot een waar feest. (…) Rossini-Giacometti-Erard: een drie-eenheid.

Fanfare

(…) the pianist once again demonstrates an elegant and witty way with this ridiculously charming music, especially as rendered on the beautifull restores 1849 Erard that he plays. (…) (…) candy for the ears to consume without guilt.

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