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Rossini - Un Petit Train de Plaisir vol. 3

Paolo Giacometti

Gioacchino Rossini

SKU: 16098

Year of release: 2000

1. Prélude Blageur Gioacchino Rossini 07:04
2. Des Tritons S'il Vous Plait Gioacchino Rossini 01:55
3. Petite Pensée Gioacchino Rossini 02:09
4. Une Bagatelle Gioacchino Rossini 01:21
5. Mélodie Italienne: Une Bagatelle Gioacchino Rossini 00:58
6. Petite Caprice Gioacchino Rossini 02:56
7. Échantillon De Blague Mélodique Sur Les Noires De La Main Droite Gioacchino Rossini 06:11
8. Mélodie Candide Gioacchino Rossini 03:48
9. Prélude Italien Gioacchino Rossini 06:09
10. Énchantillon Du Chant De Noël À L'Italienne Gioacchino Rossini 05:18
11. Impromptu Tarantellisé Gioacchino Rossini 05:21
12. Valse Torturée Gioacchino Rossini 05:42
13. Marche Et Réminiscences Pour Mon Dernier Voyage Gioacchino Rossini 08:56
14. Un Petit Train De Plaisir, Comico-Imitatif Gioacchino Rossini 10:56
Total time: 68:51

About this album

This is now the third recording with which I continue my journey into the world of Rossini’s later works. Here we have a Rossini who clearly enjoyed the closing years of his life, in his beloved Paris, which once again allowed him free rein for his brilliant creativity. One of the results of this freedom was an abundance of mostly shorter character pieces, which he jokingly referred to as “Pchs de Vieillesse”, or “Sins of old age”. These works are typified by their great diversity, and they are the expressions of an exceptional talent who had broken free of musical dogma: ironic, meditative, personal, and unafraid of disapproval or self-deprecation. All of these things can be heard in the works on this CD. For example, irony can immediately be seen in titles like “Valse Torture” (tortured waltz) or “chantillon de Blague Mlodique sur let noires de la main droite” (A sample of melodic nonsense on the black keys for the right hand). This unusual brand of humor is even more clearly marked in “Petit Caprice (Style Offenbach)” where Rossini targets the operettas of Offenbach which were so successful at the time, nor does he spare the pianist, giving the climaxes an almost absurd virtuosity with his use of difficult octave glissandi. The irony is even less restrained in “Des Tritons s’il vous Plat” (Some tritones please), a harmony exercise in disguise which immediately recalls the warming-up exercises of singers. But Rossini shows us a very different face in works like “chantillon du Chant de Nol l’italienne”, intimate and meditative, a distant evocation of an Italian Christmas carol, or “Marche et Reminiscences pour mon dernier Voyage” (March and Reminiscences for my last journey).

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Reviews

Fanfare

(...) the pianist once again demonstrates an elegant and witty way with this ridiculously charming music, especially as rendered on the beautifull restores 1849 Erard that he plays. (...) (...) candy for the ears to consume without guilt.

The Flying Inkpot (WWW)

En petit train de plaisir (...) firmly refined technique at his fingertips (...) (...) this is a delightful curnucopia of high spirits and child-like enjoyment (...)

Pianowereld

(...) Giacometti maakt de muzikale grappen en overpeinzingen tot een waar feest. (...) Rossini-Giacometti-Erard: een drie-eenheid.

Gooi- en Eemlander

(...) Genieten van het sprankelijke spel van de pianist.

Technical Specifications

Digital To Analog ConverterSony
Mastering EquimentSadie Audio system
Mastering EngineerJared Sacks
Mixing ConsoleRens Heijnis Custom made
MicrophonesBruel & Kjaer, Schoeps
Analog To Digital ConverterPrism 24 bit / Genex Recorder
Recording DateApril 2000
Recording LocationDoopsgezinde Kerk Deventer, The Netherlands
EditingJared Sacks
Recording Engineerjared Sacks
ProducerJared Sacks, Paulo Giacoetti