W.A.Mozart Clavier - Concerte 5 & 9

IMMERSEEL, JOS VAN - fortepiano
ANIMA ETERNA

Mozart

Physical CD		Price
Normal PCM CD (In stock)		$20.41

Details

Concerto 5 D Major KV 175 "Mozart's first Piano Concerto" Composed in Salzburg, December 1773. Mozart is 17 years old. 1778. Mozart in Mannheim. "Then I played my old Concerto in D, since it is very much appreciated here." 1783. Mozart in Vienna. "But the people would not stop applauding, and I had to play the Rondeau a second time, - it was a regular downpour of clapping." Note: Mozart composed his first piano concerto in 1773. It is recorded on this CD in the version presumed to be that of 1773. In 1782 Mozart wrote a new finale (Rondeau KV 382, now known as Concerto no. 28), which is recorded on CD CCS 0690. Concert 9 E Flat major KV 271 'Jeunehomme Concerto'` Composed in Salzburg, January 1777. Mozart is 21 years old. Mlle Jeunehomme, a French pianist, performed in Salzburg in late 1776 and early 1777. 1777. October, Munich. "I then played the Concerto in C, in B flat, and in E flat." 1778. September, Paris. "I would then offer three Concerti, those for the Jenomy[sic] woman, Litzau [Ltzow], and the one in B flat to the engraver who engraved the Sonates for me, for cash." 1783. February. Mozart sends "Eingnge" [interpolated passages] to his sister. 1792. First posthumous publication by Andr Offenbach. About the musical information in Mozart's scores When we want to perform music which has been produced by someone else, we require adequate information. This can be transmitted in at least three ways: primarily by imitation (viva voce, as is the case with folk music), primarily orally and by listening (as in traditional styles and genres such as flamenco), or primarily by means of a score (as in classical music). In the case of the first two methods, there is living contact with the music: we hear the actual sound. With the third method, no music is heard, the score is nothing but a written codification of the composer's ideas. Because this system of codification (musical notation) is imperfect, the information conveyed by a score is, by definition, incomplete. Moreover, the notation system is a product of its time, and in earlier times, even of the region in which it was employed....

Additional Information

Main artist	IMMERSEEL, JOS VAN - fortepiano ANIMA ETERNA
Composer	Mozart
Inlay	Clavier-Concerte 5, KV 175 in D; Clavier concerte 9, KV 271 in E flat (period performance)
Biography	Jos van Immerseel and the orchestra 'Anima Eterna' On the 7th december 1979, critic Roger Hofmans of the Standaard, Brussels, wrote the following review of van Immerseel's Clementi recording: "van Immerseel forces you to listen; his articulation is daring, intuitively musical, and the ornaments that belong to the essence of this music have a sculptured relief, and the virtuoso passagework comes from the keys with the greatest ease. Whoever has not had the chance to hear van Immerseel on historic keyboard instruments, has no idea of the subtle nuances of sound that they possess. Van Immerseel makes Clementi's sonatas more exciting than those of Mozart, but perhaps he will accomplish the same with the sonatas of that great man from Salzburg". Ten years later, on the 6th of March 1990 the NRC Handelsblad, Rotterdam wrote: "In the "Andantino" of Mozart's Jeunehomme Konzert, it was a true wonder how he was able to reach the furthest corners of the Great Hall of the Concertgebouw and touch his listeners hearts with pianissimo passages....". Trouw wrote on the 7th March: "Jos van Immerseel was trained as pianist on the modern piano and feels at ease the literature for that instrument. At on early stage however, he chose not to utilize his capacities to the end of a fast career as a piano virtuoso, and decided to examine the piano's development through all it's stages of development fitting the contemporary literature. This combination of all round and highly talented keyboard player with knowledgable musical insight of the piano of Mozart's time, make him an artist who can compete with the great interpreters of Mozart on the Steinway". The orchestra 'Anima Eterna' was founded in 1987 and is composed of top musicians from 12 countries. They all perform on classic instruments utilizing the same techniques as those used during Mozart's time. The musicians were chosen not only on the basis of their professional qualities, but also for their musical intensity and 'spirituality'. Source of inspiration and mentor of the orchestra is concertmaster Marc Destrub from Vancouver, Canada. Utrechts Nieuwsblad, september 1989: "Here one finds clearly thought out and responsable playing on authentic instruments combined with a large measure of natural ease and musicality". Volkskrant, 7th march 1990: "Refreshing, spiritual and full of surprises". Chr. Lelie in Trouw, 4th september 1990: "Anima Eterna can be placed on the same line with the orchestras of Norrington, Brggen or Hogwood. Van Immerseel and his orchestra have a totally different approach. The most catching is the mild tone of the string section." Algemeen Dagblad, 7th march 1990: "It is absolutely certain that Anima Eterna has all the necessary qualities to become an orchestra of world format".
Awards	Awards: 10/10 CD review/ Tlrama/ Disque du Jour/
Quotes
Format	Normal PCM CD
Running time	53:22
Year of release	1990
Number of cd's	1