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- Telemann -Tafelmusik vol. 1
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Georg Philipp Telemann (1681-1767) the son of a clergyman, was self-taught in music and became the most prolific composer of his time. As a child he had a rare gift for music, but it was taken for granted that he would follow his father and turn to the church for his livelihood. At that time the musical profession was still held by many scholars and citizens to be inferior and disreputable. Despite all his mothers efforts to dissuade him - popular legend has it that she even confiscated his music and instruments - this persecution only led to a secret rebellion as he describes in his first autobiography of 1718: "My fire burned far too brightly, and lighted my way into the path of innocent disobedience, so that I spent many a night with pen in hand because I was forbidden it by day, and passed many an hour in lonely places with borrowed instruments." Whilst at the gymnasium in Hildesheim in his late teens, Telemann understood the necessity to play and understand the instruments he was to compose for. In addition to his considerable ability on the violin, recorder and harpsichord, he took up the oboe, transverse flute, viola da gamba, double bass, trombone and many others.
Additional Information
| Main artist | FLORILEGIUM |
|---|---|
| Composer | Telemann |
| Inlay | Suite in e minor |
| Biography | Ashley Solomon, Director Regular performances in some of the world's most prestigious venues have confirmed Florilegium's status as one of Britain's most outstanding period instrument ensembles. Following a performance at London's Wigmore Hall, The Times newspaper wrote: Florilegium climbed the heights of dancing bliss and left the Wigmore sighing with pleasure. They have become an indispensable feature on the early music landscape. Formed in 1991, Florilegium quickly established a reputation for stylish and exciting interpretations of music from the baroque era to the early romantic revolution. Among the numerous residencies they held was the coveted post of Ensemble-in-Residence at London's Wigmore Hall, a position they enjoyed from 1998 to 2000, performing several series of concerts each year and becoming actively involved in the Hall's education work. Since September 2008 Florilegium have been Ensemble in Association at the Royal College of Music. They give one public performance each term and, where appropriate, include students from the Historical Performance department. In addition they take string, wind and keyboard sessions and give frequent masterclasses on 18th century baroque repertoire. Concert engagements have taken Florilegium throughout Europe, to North and South America, China, Hong Kong, Singapore and Australia. The group receives numerous invitations to perform at major international festivals each season and concert venues have included the Sydney Opera House, Teatro Colon in Buenos Aires, Concertgebouw in Amsterdam, Konzerthaus in Vienna, Beethoven Haus in Bonn, Handelhaus in Halle, the restored Frauenkirche in Dresden, Thtre Grevin in Paris and the Frick Collection in New York. Florilegium's performances range from intimate chamber works to large-scale orchestral repertoire. |
| Awards | Awards: |
| Quotes | () Florilegium know exactly what they are doing with Telemann and this new recording is a worthy successor to their wild but wonderfull dbut disc of chamber concertos (CCS 5091) and their more considerd readings of the Paris Quartets (CCS 13598) () Florilegium are naturally elegant and dont fall over themselves trying to say everything there is to be said about the music. Full of warmth and humanity, these performances are sure to please. International Record Review |
| Format | Hybrid SACD - (plays on all cd players) |
| Running time | 74:31:00 |
| Year of release | 2002 |
| Number of cd's | 1 |
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() Florilegium know exactly what they are doing with Telemann and this new recording is a worthy successor to their wild but wonderfull dbut disc of chamber concertos (CCS 5091) and their more considerd readings of the Paris Quartets (CCS 13598) () Florilegium are naturally elegant and dont fall over themselves trying to say everything there is to be said about the music. Full of warmth and humanity, these performances are sure to please. International Record Review
() Een uitzonderlijkheid in de barokmuziek: een blokfluitduel met twee fluiten. Nog uitzonderlijker is dat de blokfluit daarin de hoofdrol speelt. En het alleruitzonderlijkste hier de perfecte uitvoering van Florilegium en Walter van Hauwe als blokfluitsolist. Brabants Dagblad
() une disque d clectisme suscite de passion () () On le laissera donc bercer par lOuverture, le Trio, la conclusion et les deux Quators sans quaucune lassitude ne sinstalle. Classica () une panorama impressionnants () () Il y a tout au long une bonne humeur, une sant et des raffinements qui servent idalisement les jeux de timbre imagins de Telemann. () () une vraie fte!! Diapason
Florilegium dont put a foot wrong in their decisions about tempo, articulation, phrasing and dynamics. Nor do they follow others in this field and spoil ensemble with a dominating keyboard continuo. Instead, its role is what it ought to be a discreet yet eloquent guiding force. They dont ignore that elusive quality called content. () () Musically an outstanding disc. Gramophone: Editors Choice
() fraai spel van Walter van Hauwe, die het tegen twee dwarsfluiten opneemt () () het is een voortdurend plezier naar dit Brits ensemble te luisteren () Cette musique (...) s'coute avec une sorte de gourmandise laquelle concourt l'interprtation soigne et fine de l'Ensemble Florilegium (...). Le Monde
() hoogste genietbare elegante kamermuziek met groot gevoel voor balans en intimiteit () Deurner Dagblad
() Die CDs vereinen auf glckliche Weise artifizielle Raffinese und Natrlichkeit des Ausdrucks, die das Ensemble Florilegium seit jeher auszeichnen. Toccata
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