L. A. Lebrun Concerto no. 1 in D minor;
Concerto no. 4 in B flat;
Concerto nr. 2 in G minor

Bart Schneemann was born in Melbourne, Australia in 1954. He completed his studies in The Netherlands with Han de Vries in 1977. His early gained orchestra experience led to his appointment as principal oboist of the celebrated Rotterdams Philharmonic Orchestra (chief conductor Valery Gergiev) He held this position until 1996 when he decided to focus on building a career as a soloist. As music director, he restyled and increased the artistic range and possibilities of the Netherlands Wind ensemble which is recognized as being one of the best wind ensembles in the world. With them he concretizes and records extensively and the commission a large quantity of composers to write works especially for them. This fact, among other aspects, made him the unanimous winner of the prestigious 3M Music Laureate Prize in 1991. From 1995 - apart from playing his modern instrument - he started to play his baroque oboe more and more and started to rethink his way of playing the vast baroque oboe repertoire. He is now equally comfortable on both instruments. Apart from playing the standard repertoire, he plays a huge amount of contemporary works. his virtuoso and musically sensitive playing has attracted the attention of many first rate contemporary composers. Several of them have written works especially for him including Tristan Keuris, Wolfgang Rihm, John Zorn, Theo Verbey, Giia Kantcheli and Kevin Volans. Bart has performed as a soloist with conductors like Valery Gergiev, Edo de Waart, Hartmut Haenchen, Ernest Blour, Lev Markiz, Frans Brggen, Royt Goodman and Ton Koopman.
Apart from playing, he holds the position of oboe professor at the Royal Conservatory in The Hague.

The Radio Chamber Orchestra (RKO), a classical orchestra consisting of 39 musicians, constitutes the basis of an ensemble which can be reduced or expanded depending on the requirements of the scores. This flexibility of size is particularly important for modern music, since it gives composers more possibilities in their choice of instruments than would an eighteenth-century orchestral make-up. This approach allows the Radio Chamber Orchestra to perform a repertoire covering more than three centuries. The Radio Chamber Orchestra is internationally noted for its interpretations of modern music, having given first performances of several works by living composers both from the Netherlands and elsewhere.

As a result of this reputation the orchestra regularly performs in European Festivals of modern music. In addition, the orchestra is intensively active in performing the classical repertoire. Jan-Willem de Vriend, conductor After his violin studies at the Amsterdam Conservatory Jan Willem de Vriend worked with Davina van Wely at the Conservatory in The Hague. As a member of various chamber music ensembles he has performed all over the world. In 1982 he set up Combattimento Consort Amsterdam, an orchestra specialising in 17th and 18th century music. Apart from numerous concerts in the Netherlands, the orchestra has performed in the U.S.A., South-America, Japan, Italy, Norway, Germany, France, Switzerland, Spain and Turkey. Jan Wilem de Vriend has conducted Luzern Opera Theatre, and concerts at the Gstaad Festival and every year the Robeco Summer Festival in the Amsterdam Concertgebouw, The Festival of Flanders (Belgium) and Festival of Sevilla (Spain). Jan-Willem de Vriend has conducted various opera productions, among which: L'Incoronazione di Poppea, Dido & Aeneas, Ulississe, LOrfeo, King Arthur, Don Giovanni, Bastien et Bastienne and Die Fledermaus. He has been appointed principal guest conductor by the New Sinfonietta Amsterdam, the Amsterdam Bach Soloists, Concerto Armenico in Freiburg and the RIAS Chamber Orchestra in Berlin. Furthermore he has conducted the Radio Chamber Orchestra, Deutsche Kammerphilharmonie Bremen, The Netherlands Chamber Orchestra, The Brabants Orchestra and the North Netherlands Orchestra. De Vriend has worked with soloists Paul Tortellier, Elly Ameling, Barbara Bonney, Anner Bijlsma, Roberta Alexander, Bernarda Fink, Vera Beths, Thomas Zehet-mair, Anthony Rolf Johnson, Laurence Dale, Derek Lee Ragin, Han de Vries and Dmitri Ferschtmann. For 2001/2002 include concerts with the Radio Chamber Orchestra, eight periods with The Brabants Orchestra (various programs), 2 periods with the Radio Philharmonic Orchestra, the Netherlands Philharmonic Orchestra etc.Opra National du Rhin in Die Zauberflte. This in addition to productions with his own ensemble Combattimento Consort like Monteverdis lOrfeo, Israel in Egypt with a tour through Europe (Spain, Netherlands (Great Hall Concertgebouw), Germany).

Awards:
Editors choice Gramophone/
Recommande par Repertoire

) een klapper van jewelste, vanwege het verrassende en pakkende repertoire en ook vanwege het minutieus gefraseerde spel. () () Een klasseschijf. Leeuwarder Courant
() .. een meester op zijn instrument () () een heerlijk uur muziek: onderhoudend, virtuoos, effectvol en gevuld met mooie lange melodien () Gooi- en Eemlander
() this is a release simply waiting to be enjoyed. Gramophone
() Schneeman speelt zijn veeleisende solos stijlbewust, kleurrijk en zangerig. Virtuose passages gaan hem net zo makelijk af als de lyrische momenten. () Kunst stof
() A highly attractive proposition for oboe fanciers and anyone who enjoys verturing into the 18th-century hinterland. BBC Music Magazine
() Schneemann plays them with superb grace and fine technique and de Vriends accompaniments are thoroughly stylish and supportive. Strongly recommended. International Record Review
() Schneemann is clearly a master of his instrument () Audiophile Audition
() they are flat out irresistible, wonderfull works, a major discovery, and proof positive that there are still a lot of neglected masterpieces from classical times.
() () His is a blended, oaken sound () () expressive and technically without flaw () American Record Guide