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Fantasies and Impromptus

31711

Fantasies and Impromptus

Meijer, Lavinia - harp

Spohr, Saint-Saëns, Fauré, Pierné

Awards
Performance 5 stars Sonics 5 stars Performance 5 stars Sonics 5 stars CD of the Week CD of the Week Audiophile Audition 5/5 stars Audiophile Audition 5/5 stars
Physical CD Price  
No (In stock)
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DFF 1bit 2822.4kHz
31711
FLAC 24bit 192kHz
FLAC 24bit 96kHz
FLAC 24bit 44.1kHz
MP3 320k 44.1

Availability: In stock.

Physical CD Price  
SACD (plays on all cd players) (In Stock)
$21.68
Direct Stream Digital Price  
MEIJER_31711_DFF 1bi DFF 1bit 2822.4kHz (2,907.8MB)
Regular: $38.26 Special: $32.52
High Quality Downloads (All tracks) Price  
Studio Master HD FLAC 24bit 192kHz (2,206.5MB)
Regular: $25.51 Special: $21.68
Studio Master FLAC 24bit 96kHz (1,277.9MB)
Regular: $21.68 Special: $18.43
CD Qualtiy FLAC 24bit 44.1kHz (575.2MB)
Regular: $17.86 Special: $15.18
MP3 320k MP3 320k 44.1kHz (164.9MB)
Regular: $11.48 Special: $9.76
Tracks: Listen and Download
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G. Pierné \ Impromptu-Caprice, Op.9
1. G. Pierné \ Impromptu-Caprice, Op.9
6:20
Regular: $2.95 Special: $2.50
L. Spohr / Fantaisie, Op. 35
2. L. Spohr / Fantaisie, Op. 35
8:50
Regular: $3.79 Special: $3.21
L. Spohr / Variations on a theme
3. L. Spohr / Variations on a theme
6:38
Regular: $2.95 Special: $2.50
C. Saint-Saëns / Fantaisie, Op. 95
4. C. Saint-Saëns / Fantaisie, Op. 95
11:03
Regular: $5.05 Special: $4.30
G. Fauré \ Impromptu, Op. 86
5. G. Fauré \ Impromptu, Op. 86
8:59
Regular: $3.79 Special: $3.21
G. Fauré \ Une châtelaine en sa tour…, Op. 110
6. G. Fauré \ Une châtelaine en sa tour…, Op. 110
5:29
Regular: $2.53 Special: $2.14
G. Verdalle / 2nd Impromptu
7. G. Verdalle / 2nd Impromptu
6:17
Regular: $2.95 Special: $2.50
J. Snoer / Fantasie über das Niederländische Volkslied
8. J. Snoer / Fantasie über das Niederländische Volkslied
8:29
Regular: $3.79 Special: $3.21
A. Roussel / Impromptu, Op. 21
9. A. Roussel / Impromptu, Op. 21
5:53
Regular: $2.53 Special: $2.14
R. Glière / Impromptu
10. R. Glière / Impromptu
4:00
Regular: $2.10 Special: $1.79
Total Time 1:11:58 
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G. Pierné \ Impromptu-Caprice, Op.9
1. G. Pierné \ Impromptu-Caprice, Op.9
6:20
Regular: $2.63 Special: $2.23
L. Spohr / Fantaisie, Op. 35
2. L. Spohr / Fantaisie, Op. 35
8:50
Regular: $3.38 Special: $2.87
L. Spohr / Variations on a theme
3. L. Spohr / Variations on a theme
6:38
Regular: $2.63 Special: $2.23
C. Saint-Saëns / Fantaisie, Op. 95
4. C. Saint-Saëns / Fantaisie, Op. 95
11:03
Regular: $4.50 Special: $3.83
G. Fauré \ Impromptu, Op. 86
5. G. Fauré \ Impromptu, Op. 86
8:59
Regular: $3.38 Special: $2.87
G. Fauré \ Une châtelaine en sa tour…, Op. 110
6. G. Fauré \ Une châtelaine en sa tour…, Op. 110
5:29
Regular: $2.24 Special: $1.91
G. Verdalle / 2nd Impromptu
7. G. Verdalle / 2nd Impromptu
6:17
Regular: $2.63 Special: $2.23
J. Snoer / Fantasie über das Niederländische Volkslied
8. J. Snoer / Fantasie über das Niederländische Volkslied
8:29
Regular: $3.38 Special: $2.87
A. Roussel / Impromptu, Op. 21
9. A. Roussel / Impromptu, Op. 21
5:53
Regular: $2.24 Special: $1.91
R. Glière / Impromptu
10. R. Glière / Impromptu
4:00
Regular: $1.87 Special: $1.59
Total Time 1:11:58 
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G. Pierné \ Impromptu-Caprice, Op.9
1. G. Pierné \ Impromptu-Caprice, Op.9
6:20
Regular: $2.04 Special: $1.73
L. Spohr / Fantaisie, Op. 35
2. L. Spohr / Fantaisie, Op. 35
8:50
Regular: $2.61 Special: $2.22
L. Spohr / Variations on a theme
3. L. Spohr / Variations on a theme
6:38
Regular: $2.04 Special: $1.73
C. Saint-Saëns / Fantaisie, Op. 95
4. C. Saint-Saëns / Fantaisie, Op. 95
11:03
Regular: $3.49 Special: $2.97
G. Fauré \ Impromptu, Op. 86
5. G. Fauré \ Impromptu, Op. 86
8:59
Regular: $2.61 Special: $2.22
G. Fauré \ Une châtelaine en sa tour…, Op. 110
6. G. Fauré \ Une châtelaine en sa tour…, Op. 110
5:29
Regular: $1.75 Special: $1.48
G. Verdalle / 2nd Impromptu
7. G. Verdalle / 2nd Impromptu
6:17
Regular: $2.04 Special: $1.73
J. Snoer / Fantasie über das Niederländische Volkslied
8. J. Snoer / Fantasie über das Niederländische Volkslied
8:29
Regular: $2.61 Special: $2.22
A. Roussel / Impromptu, Op. 21
9. A. Roussel / Impromptu, Op. 21
5:53
Regular: $1.75 Special: $1.48
R. Glière / Impromptu
10. R. Glière / Impromptu
4:00
Regular: $1.45 Special: $1.24
Total Time 1:11:58 
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G. Pierné \ Impromptu-Caprice, Op.9
1. G. Pierné \ Impromptu-Caprice, Op.9
6:20
Regular: $1.39 Special: $1.19
L. Spohr / Fantaisie, Op. 35
2. L. Spohr / Fantaisie, Op. 35
8:50
Regular: $1.79 Special: $1.52
L. Spohr / Variations on a theme
3. L. Spohr / Variations on a theme
6:38
Regular: $1.39 Special: $1.19
C. Saint-Saëns / Fantaisie, Op. 95
4. C. Saint-Saëns / Fantaisie, Op. 95
11:03
Regular: $2.37 Special: $2.02
G. Fauré \ Impromptu, Op. 86
5. G. Fauré \ Impromptu, Op. 86
8:59
Regular: $1.79 Special: $1.52
G. Fauré \ Une châtelaine en sa tour…, Op. 110
6. G. Fauré \ Une châtelaine en sa tour…, Op. 110
5:29
Regular: $1.19 Special: $1.01
G. Verdalle / 2nd Impromptu
7. G. Verdalle / 2nd Impromptu
6:17
Regular: $1.39 Special: $1.19
J. Snoer / Fantasie über das Niederländische Volkslied
8. J. Snoer / Fantasie über das Niederländische Volkslied
8:29
Regular: $1.79 Special: $1.52
A. Roussel / Impromptu, Op. 21
9. A. Roussel / Impromptu, Op. 21
5:53
Regular: $1.19 Special: $1.01
R. Glière / Impromptu
10. R. Glière / Impromptu
4:00
Regular: $0.99 Special: $0.84
Total Time 1:11:58 
: 
1

: 
2011

: 
Holland

: 
Jared Sacks

: 
Jared sacks

: 
72:04

: 
Microphones: Bruel & Kjaer 4006, Schoeps
Digital Converters: DSD Super Audio/Grimm audi AD/
Speakers: Audiolab, Holland
Software: Pyramix Editing, Merging Technologies
Mixing Board: Rens Heijnis, custom design
Mastering Room: B+W 803d series speakers, Classe 5200 Amplifier
Cables: 3T technology... (the premier use of new cables designed by van den Hul)

Lavinia Meijer
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Lavinia Meijer
Lavinia Meijer (1983) is recognized worldwide as one of the most promising rising harp stars of the moment. Born in Korea and adopted into a dutch family, she is now based in the Netherlands.


: 
Lavinia Meijer, harp


G. Pierné (1863-1937)
Impromptu-Caprice, Op.9

L. Spohr (1784-1859)
Fantaisie, Op. 35

L. Spohr (1784-1859)
Variations on 'Je suis encore dans mon printemps', Op. 36

C. Saint-Saëns (1835-1921)
Fantaisie, Op. 95**

G. Fauré (1845-1924)
Impromptu, Op. 86

G. Fauré (1845-1924)
Une châtelaine en sa tour…, Op. 110

G. Verdalle (1845-1912)
2nd Impromptu*

J. Snoer (1868-1936)
Fantasie über das Niederländische Volkslied
“Wien Neerlandsch bloed”*

A. Roussel (1869-1937)
Impromptu, Op. 21

R. Glière (1875-1956)
Impromptu

*CD world premiere
** Original complete version

: 
What prompts a composer to write fantasies and impromptus? And what do the fantasy, a free form, and the impromptu, originally an improvised poem, have in common? We know that Spohr was inspired by a young harpist who was later to become his wife. But did Fauré, as director of the Paris Conservatory, simply have no option than to write, because a compulsory solo piece was required for the harp class examinations? Was the marine officer Roussel influenced by his travels to distant shores? And were the fantasias by Saint-Saëns inspired by his great love of the Arab world?
We can sometimes only guess. What we do know is that the harp has always appealed to the imagination, and that both fantasies and impromptus have inspired many composers to give free rein to their creative powers. (...)
Lavinia Meijer ( from liner notes)

: 

Meijer is a class by herself here (...) there are not many discs that give me that ‘goosy-bump feeling’ but this is one of them. (...) The rich sonorous sound she creates is a beautiful thing that you must truly sample. (...)
HIFI+


What  is immediately striking about this album is how rich, clear, warm and “surround” the engineering is (…) whether the music is French, German or Russian, Meijer brings clarity to textures other players often clutter with excessive pedalling. (…) she keeps things clear by means of delineated phrasing, melodies that ride above accompaniment, and a kaleidoscope of colors and expressive subtleties.
American Record Guide


(...) The liquid quality of the strings...the flow and range of the textures and the whole harmonic structure of the harp instrument is beautifully captured. To sit and listen to Mrs. Meijer's gifted playing is a joy to behold. I guess the word "enraptured" comes to mind when listening to this disc. Her playing is simply superb. A great artist who keeps the listener entranced with the beauty of her playing and her art...but now...the recording does it complete justice. If you want to know how beautiful the harp is as an instrument...just listen to this disc. The harp sounds so much more real this time around...more free flowing and expansive. And whether she touches the strings gently or with force....all the subtle and not so subtle nuances are gorgeously captured via this pure Dsd recording.
Thanks yet again to Channel Classics...for another gorgeous sacd with tremendous sound and playing working together in unison to bring us the best in classical music.
Highly recommended
SA-CD.net
Performance: 5 stars  Sonics: 5 stars


(…) one can only marvel at how Meijer brings out the distinct and individual flavours of each work.
MusicWeb


(...) All the works are most lovely and superbly performed and recorded.(...)
Audiophile Audition


(…) Superharpiste Meijer slaat weer toe (…) De klank van het koninklijke instrument is wederom fantastisch opgenomen, prachtig in het laag, sprankelend in het hoog. (…) Muziek om direct verliefd op te worden vooral als die zo overrompelend gespeeld wordt als hier. (…) Heerlijke cd!
Trouw


Lavinia Meijer bespeelt haar kostelijke instrument met het grootst denkbare gemak, alsof technische obstakels gewoon niet bestaan. (...) zij is de techniek voorbij en  wil zich alleen maar bezig houden met de textuur van het stuk, met wat daarin is verborgen en hoe dát zo goed mogelijk, nee perfect, aan de oppervlakte te brengen. Dat is (...) toch de essentie van muziek maken. Beseft ze dat ze wereldklasse vertegenwoordigt? (...)
Opusklassiek


           
19
  • Date
  • Details
  • Jul 22, 2012
  • Lavinia Meijer
  • Concertgebouw Amsterdam
  • Amsterdam
  • , Netherlands
  • Other Performers: Nederlandse Fluit Academy

Details

Meijer 31711

Additional Information

SACD or CD? SACD (plays on all cd players)
Year of release 2011
Recording Location Holland
Main artist

Meijer, Lavinia - harp

Performers Lavinia Meijer, harp G. Pierné (1863-1937) Impromptu-Caprice, Op.9 L. Spohr (1784-1859) Fantaisie, Op. 35 L. Spohr (1784-1859) Variations on 'Je suis encore dans mon printemps', Op. 36 C. Saint-Saëns (1835-1921) Fantaisie, Op. 95** G. Fauré (1845-1924) Impromptu, Op. 86 G. Fauré (1845-1924) Une châtelaine en sa tour…, Op. 110 G. Verdalle (1845-1912) 2nd Impromptu* J. Snoer (1868-1936) Fantasie über das Niederländische Volkslied “Wien Neerlandsch bloed”* A. Roussel (1869-1937) Impromptu, Op. 21 R. Glière (1875-1956) Impromptu *CD world premiere ** Original complete version
Introduction by artist What prompts a composer to write fantasies and impromptus? And what do the fantasy, a free form, and the impromptu, originally an improvised poem, have in common? We know that Spohr was inspired by a young harpist who was later to become his wife. But did Fauré, as director of the Paris Conservatory, simply have no option than to write, because a compulsory solo piece was required for the harp class examinations? Was the marine officer Roussel influenced by his travels to distant shores? And were the fantasias by Saint-Saëns inspired by his great love of the Arab world? We can sometimes only guess. What we do know is that the harp has always appealed to the imagination, and that both fantasies and impromptus have inspired many composers to give free rein to their creative powers. (...) Lavinia Meijer ( from liner notes)
Composer Spohr, Saint-Saëns, Fauré, Pierné
Producer Jared Sacks
Recording Engineer / Mastering Jared sacks
Technical Specifications Microphones: Bruel & Kjaer 4006, Schoeps Digital Converters: DSD Super Audio/Grimm audi AD/ Speakers: Audiolab, Holland Software: Pyramix Editing, Merging Technologies Mixing Board: Rens Heijnis, custom design Mastering Room: B+W 803d series speakers, Classe 5200 Amplifier Cables: 3T technology... (the premier use of new cables designed by van den Hul)
Inlay

 

G. Pierné (1863-1937)

Impromptu-Caprice, Op.9                                                                

 

L. Spohr (1784-1859)

Fantaisie, Op. 35                                                                                         

 

L. Spohr (1784-1859)

Variations on 'Je suis encore dans mon printemps', Op. 36 

 

C. Saint-Saëns (1835-1921)

Fantaisie, Op. 95**                                                                          

 

G. Fauré (1845-1924)

Impromptu, Op. 86                                                                          

 

G. Fauré (1845-1924)

Une châtelaine en sa tour…, Op. 110                                             

 

G. Verdalle (1845-1912)

2nd Impromptu*                                                                              

 

J. Snoer (1868-1936)

Fantasie über das Niederländische Volkslied

“Wien Neerlandsch bloed”*                                                              

 

A. Roussel (1869-1937)        

Impromptu, Op. 21                                                                          

 

R. Glière (1875-1956)

Impromptu                                                                                       

 

  *CD world premiere

** Original complete version

Awards
Awards:
• Audiophile Audition: 5 Stars
• Radio 4 (Holland): CD of the Week
• SA-CD.net: 5 Stars Performance/ 5 Stars Recording
 
 



Quotes

Meijer is a class by herself here (...) there are not many discs that give me that ‘goosy-bump feeling’ but this is one of them. (...) The rich sonorous sound she creates is a beautiful thing that you must truly sample. (...)
HIFI+

What  is immediately striking about this album is how rich, clear, warm and “surround” the engineering is (…) whether the music is French, German or Russian, Meijer brings clarity to textures other players often clutter with excessive pedalling. (…) she keeps things clear by means of delineated phrasing, melodies that ride above accompaniment, and a kaleidoscope of colors and expressive subtleties.
American Record Guide

(...) The liquid quality of the strings...the flow and range of the textures and the whole harmonic structure of the harp instrument is beautifully captured. To sit and listen to Mrs. Meijer's gifted playing is a joy to behold. I guess the word "enraptured" comes to mind when listening to this disc. Her playing is simply superb. A great artist who keeps the listener entranced with the beauty of her playing and her art...but now...the recording does it complete justice. If you want to know how beautiful the harp is as an instrument...just listen to this disc. The harp sounds so much more real this time around...more free flowing and expansive. And whether she touches the strings gently or with force....all the subtle and not so subtle nuances are gorgeously captured via this pure Dsd recording.
Thanks yet again to Channel Classics...for another gorgeous sacd with tremendous sound and playing working together in unison to bring us the best in classical music.
Highly recommended
SA-CD.net
Performance: 5 stars  Sonics: 5 stars

(…) one can only marvel at how Meijer brings out the distinct and individual flavours of each work.
MusicWeb

(...) All the works are most lovely and superbly performed and recorded.(...)
Audiophile Audition

(…) Superharpiste Meijer slaat weer toe (…) De klank van het koninklijke instrument is wederom fantastisch opgenomen, prachtig in het laag, sprankelend in het hoog. (…) Muziek om direct verliefd op te worden vooral als die zo overrompelend gespeeld wordt als hier. (…) Heerlijke cd!
Trouw

Lavinia Meijer bespeelt haar kostelijke instrument met het grootst denkbare gemak, alsof technische obstakels gewoon niet bestaan. (...) zij is de techniek voorbij en  wil zich alleen maar bezig houden met de textuur van het stuk, met wat daarin is verborgen en hoe dát zo goed mogelijk, nee perfect, aan de oppervlakte te brengen. Dat is (...) toch de essentie van muziek maken. Beseft ze dat ze wereldklasse vertegenwoordigt? (...)
Opusklassiek

Running time 72:04
Number of cd's 1
: 
1

: 
2011

: 
Holland

: 
Jared Sacks

: 
Jared sacks

: 
72:04

: 
Microphones: Bruel & Kjaer 4006, Schoeps
Digital Converters: DSD Super Audio/Grimm audi AD/
Speakers: Audiolab, Holland
Software: Pyramix Editing, Merging Technologies
Mixing Board: Rens Heijnis, custom design
Mastering Room: B+W 803d series speakers, Classe 5200 Amplifier
Cables: 3T technology... (the premier use of new cables designed by van den Hul)

Lavinia Meijer
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Lavinia Meijer
Lavinia Meijer (1983) is recognized worldwide as one of the most promising rising harp stars of the moment. Born in Korea and adopted into a dutch family, she is now based in the Netherlands.


: 
Lavinia Meijer, harp


G. Pierné (1863-1937)
Impromptu-Caprice, Op.9

L. Spohr (1784-1859)
Fantaisie, Op. 35

L. Spohr (1784-1859)
Variations on 'Je suis encore dans mon printemps', Op. 36

C. Saint-Saëns (1835-1921)
Fantaisie, Op. 95**

G. Fauré (1845-1924)
Impromptu, Op. 86

G. Fauré (1845-1924)
Une châtelaine en sa tour…, Op. 110

G. Verdalle (1845-1912)
2nd Impromptu*

J. Snoer (1868-1936)
Fantasie über das Niederländische Volkslied
“Wien Neerlandsch bloed”*

A. Roussel (1869-1937)
Impromptu, Op. 21

R. Glière (1875-1956)
Impromptu

*CD world premiere
** Original complete version

: 
What prompts a composer to write fantasies and impromptus? And what do the fantasy, a free form, and the impromptu, originally an improvised poem, have in common? We know that Spohr was inspired by a young harpist who was later to become his wife. But did Fauré, as director of the Paris Conservatory, simply have no option than to write, because a compulsory solo piece was required for the harp class examinations? Was the marine officer Roussel influenced by his travels to distant shores? And were the fantasias by Saint-Saëns inspired by his great love of the Arab world?
We can sometimes only guess. What we do know is that the harp has always appealed to the imagination, and that both fantasies and impromptus have inspired many composers to give free rein to their creative powers. (...)
Lavinia Meijer ( from liner notes)

: 

Meijer is a class by herself here (...) there are not many discs that give me that ‘goosy-bump feeling’ but this is one of them. (...) The rich sonorous sound she creates is a beautiful thing that you must truly sample. (...)
HIFI+


What  is immediately striking about this album is how rich, clear, warm and “surround” the engineering is (…) whether the music is French, German or Russian, Meijer brings clarity to textures other players often clutter with excessive pedalling. (…) she keeps things clear by means of delineated phrasing, melodies that ride above accompaniment, and a kaleidoscope of colors and expressive subtleties.
American Record Guide


(...) The liquid quality of the strings...the flow and range of the textures and the whole harmonic structure of the harp instrument is beautifully captured. To sit and listen to Mrs. Meijer's gifted playing is a joy to behold. I guess the word "enraptured" comes to mind when listening to this disc. Her playing is simply superb. A great artist who keeps the listener entranced with the beauty of her playing and her art...but now...the recording does it complete justice. If you want to know how beautiful the harp is as an instrument...just listen to this disc. The harp sounds so much more real this time around...more free flowing and expansive. And whether she touches the strings gently or with force....all the subtle and not so subtle nuances are gorgeously captured via this pure Dsd recording.
Thanks yet again to Channel Classics...for another gorgeous sacd with tremendous sound and playing working together in unison to bring us the best in classical music.
Highly recommended
SA-CD.net
Performance: 5 stars  Sonics: 5 stars


(…) one can only marvel at how Meijer brings out the distinct and individual flavours of each work.
MusicWeb


(...) All the works are most lovely and superbly performed and recorded.(...)
Audiophile Audition


(…) Superharpiste Meijer slaat weer toe (…) De klank van het koninklijke instrument is wederom fantastisch opgenomen, prachtig in het laag, sprankelend in het hoog. (…) Muziek om direct verliefd op te worden vooral als die zo overrompelend gespeeld wordt als hier. (…) Heerlijke cd!
Trouw


Lavinia Meijer bespeelt haar kostelijke instrument met het grootst denkbare gemak, alsof technische obstakels gewoon niet bestaan. (...) zij is de techniek voorbij en  wil zich alleen maar bezig houden met de textuur van het stuk, met wat daarin is verborgen en hoe dát zo goed mogelijk, nee perfect, aan de oppervlakte te brengen. Dat is (...) toch de essentie van muziek maken. Beseft ze dat ze wereldklasse vertegenwoordigt? (...)
Opusklassiek



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