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- Bach - The Complete Sonatas for Violin and Obbligato Harpsichord
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I remember with pleasure the first readings which Rachel and I made of Bach’s Sonatas. As we explored the challenges of his three-part contrapuntal writing, and the sonorities of movements with more chordal or arpeggiated keyboard parts, we submitted ourselves to Bach’s schooling. Musical architecture, tempo, sonority and balance, phrasing and articulation became points of discussion. Much of the learning lay in the development of a shared musical language which goes beyond words. Those days with Bach laid the foundation for our subsequent chamber music playing and our work within The English Concert. As musicians we eventually come to accept that we can never fully understand the music of Bach. At times we are so in awe of Bach the composer that we lose sight of the man who performed with musicians such as ourselves. Bach, the flamboyant performer, freely arranged and adapted music and was ever willing to upset the compositional balance of his Fifth Brandenburg Concerto for the sake of including the inspired solo cadenza....
Additional Information
| Main artist | PODGER RACHEL - violin |
|---|---|
| Composer | Bach |
| Inlay | Son. no. 6 in G major BWV 1019; |
| Biography | One of the most creative talents to emerge in the field of period performance over the last decade, Rachel Podger has established herself as a leading interpreter of the music of the Baroque and Classical periods. She was educated in Germany and in England at the Guildhall School of Music and Drama where she studied with David Takeno and Michaela Comberti. After beginnings with The Palladian Ensemble and Florilegium – both groups she helped create - she was leader of The English Concert from 1997 to 2002 and toured throughout the world, often as concerto soloist. In 2004 Rachel began a guest directorship with The Orchestra of the Age of Enlightenment, opening with concerts of Bach’s Brandenburg Concertos in the USA. Rachel is in demand as a guest director and has enjoyed collaborations with Arte dei Suonatori (Poland), Musica Angelica (USA), Santa Fe Pro Musica (USA), The Academy of Ancient Music and The European Union Baroque Orchestra. |
| Awards | Awards: |
| Quotes | (…) Bach zwaar op de hand? Wie Podger en Pinnock bezig hoort is daarvan gelijk genezen. Klassieke Zaken, speciaal (…) much grace and wisdom in their playing, sculpted with scrupulous phrasing and intelligent dynamics, big in conception and execution. (…) The Flying Inkpot |
| Format | Normal PCM CD |
| Running time | 200:00:00 |
| Year of release | 2000 |
| Number of cd's | 2 |
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(…) Bach zwaar op de hand? Wie Podger en Pinnock bezig hoort is daarvan gelijk genezen. Klassieke Zaken, speciaal (…) much grace and wisdom in their playing, sculpted with scrupulous phrasing and intelligent dynamics, big in conception and execution. (…) The Flying Inkpot
(WWW) (…) The two make a fine match. Both are uncomplicated, utterly instinctive musicians with a sure technical command and sound stylistic sense, and in works as robust and complete as these, that is most of the battle already won. (…) (…) music of a great poetry (…) (…) Podger and Pinnock bring this out superbly (…) (…) this natural beauty – two disc for the price of one – is, quite simply, the best yet. Gramophone
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