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  • Bach - The Complete Sonatas for Violin and Obbligato Harpsichord
Bach - The Complete Sonatas for Violin and Obbligato Harpsichord

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Bach - The Complete Sonatas for Violin and Obbligato Harpsichord

PODGER RACHEL - violin
PINNOCK, TREVOR - harpsichord

Bach

Awards
Gramophone Editor's choice Gramophone Editor's choice BBC Radio 3 Building a Library BBC Radio 3 Building a Library Diapason 5 Diapason 5 CD Compact 10/10 CD Compact 10/10 Classica 5 stars Classica 5 stars
Physical CD Price  
Normal PCM CD (In stock)
$21.68

Details

I remember with pleasure the first readings which Rachel and I made of Bach’s Sonatas. As we explored the challenges of his three-part contrapuntal writing, and the sonorities of movements with more chordal or arpeggiated keyboard parts, we submitted ourselves to Bach’s schooling. Musical architecture, tempo, sonority and balance, phrasing and articulation became points of discussion. Much of the learning lay in the development of a shared musical language which goes beyond words. Those days with Bach laid the foundation for our subsequent chamber music playing and our work within The English Concert. As musicians we eventually come to accept that we can never fully understand the music of Bach. At times we are so in awe of Bach the composer that we lose sight of the man who performed with musicians such as ourselves. Bach, the flamboyant performer, freely arranged and adapted music and was ever willing to upset the compositional balance of his Fifth Brandenburg Concerto for the sake of including the inspired solo cadenza....

Additional Information

Main artist

PODGER RACHEL - violin
PINNOCK, TREVOR - harpsichord

Composer Bach
Inlay

Son. no. 6 in G major BWV 1019;
Son. no. 1 in B minor BWV 1014;
Son. no. 2 in A major BWV 1015;
Son. no.3 in E major BWV 1016;
Continuo Son. in E minor BWV 1023*;
Continuo Son. in G major BWV 1021*;
Son. no. 4 in C minor BWV 1017;
Son. no.5 in F minor BWV 1018;
Son. no. 6 in G major BWV 1019a*;
Cantabile from Son. no. 6 version 2 BWV 1019a

Double cd
(period performance)

Biography

One of the most creative talents to emerge in the field of period performance over the last decade, Rachel Podger has established herself as a leading interpreter of the music of the Baroque and Classical periods. She was educated in Germany and in England at the Guildhall School of Music and Drama where she studied with David Takeno and Michaela Comberti. After beginnings with The Palladian Ensemble and Florilegium – both groups she helped create - she was leader of The English Concert from 1997 to 2002 and toured throughout the world, often as concerto soloist. In 2004 Rachel began a guest directorship with The Orchestra of the Age of Enlightenment, opening with concerts of Bach’s Brandenburg Concertos in the USA. Rachel is in demand as a guest director and has enjoyed collaborations with Arte dei Suonatori (Poland), Musica Angelica (USA), Santa Fe Pro Musica (USA), The Academy of Ancient Music and The European Union Baroque Orchestra.
As a recitalist Rachel enjoys a busy career; she gives solo concerts across the globe, notably in North America, Western Europe, Korea and Japan. Rachel’s first solo recordings (Channel Classics Records), of J.S. Bach’s Sonatas and Partitas, were released in 1999 to great critical acclaim. These discs were followed by Bach’s Sonatas for Violin and Harpsichord with Trevor Pinnock. Both recordings were awarded first place by the BBC’s ‘Building a Library’ programme. Rachel’s recording of Telemann’s Twelve Fantasies for Solo Violin won the prestigious Diapason d’Or and was listed in the BBC Music Magazine’s ‘top 20’ classical CDs of 2002. Her Channel Classics’s 2003 recording of Vivaldi’s 12 violin concertos ‘La Stravaganza’ also received the Diapason d’Or and was awarded the 2003 Gramophone Award for Best Baroque Instrumental recording. In 2004 she embarked on a recording of the complete Mozart Sonatas with fortepianist Gary Cooper and Volumes 1 and 2 have already enjoyed critical acclaim including a Gramophone ‘Editor’s Choice’ and a Diapason d’Or. Teaching forms a significant part of Rachel’s musical life; as an accompaniment to her role as Professor of Baroque Violin at The Guildhall School of Music and Drama in London, she regularly incorporates masterclasses into her busy concert schedule. She is a Fellow of the Guildhall School of Music and Drama. Rachel Podger is an Honorary Member of the Royal Academy of Music. It is limited to 200-odd people and is one of the most ‘exclusive’ and ancient musical fellowships in the world. Mendelssohn, Liszt and Stravinsky treasured theirs and so do Rattle, Boulez, Dohynanyi, Masur, Colin Davis and Mackerras.

Awards

Awards:
Editors Choice Gramophone
BBC radio 3 building a library
5 stars Classica/
10/10 compact disc/
Diapason / 5

Quotes

(…) Bach zwaar op de hand? Wie Podger en Pinnock bezig hoort is daarvan gelijk genezen. Klassieke Zaken, speciaal (…) much grace and wisdom in their playing, sculpted with scrupulous phrasing and intelligent dynamics, big in conception and execution. (…) The Flying Inkpot
(WWW) (…) The two make a fine match. Both are uncomplicated, utterly instinctive musicians with a sure technical command and sound stylistic sense, and in works as robust and complete as these, that is most of the battle already won. (…) (…) music of a great poetry (…) (…) Podger and Pinnock bring this out superbly (…) (…) this natural beauty – two disc for the price of one – is, quite simply, the best yet. Gramophone

Format Normal PCM CD
Running time 200:00:00
Year of release 2000
Number of cd's 2
: 
2

: 
2000

: 
200:00:00

: 

(…) Bach zwaar op de hand? Wie Podger en Pinnock bezig hoort is daarvan gelijk genezen. Klassieke Zaken, speciaal (…) much grace and wisdom in their playing, sculpted with scrupulous phrasing and intelligent dynamics, big in conception and execution. (…) The Flying Inkpot

(WWW) (…) The two make a fine match. Both are uncomplicated, utterly instinctive musicians with a sure technical command and sound stylistic sense, and in works as robust and complete as these, that is most of the battle already won. (…) (…) music of a great poetry (…) (…) Podger and Pinnock bring this out superbly (…) (…) this natural beauty – two disc for the price of one – is, quite simply, the best yet. Gramophone



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