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| SACD or CD? | SACD (plays on all cd players) | |||||||
|---|---|---|---|---|---|---|---|---|
| Year of release | 2011 | |||||||
| Recording Location | London England | |||||||
| Main artist | Podger, Rachel - violin |
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| Performers | Rachel Podger - violin |
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| Introduction by artist | The Duos for Violin and Viola by Mozart have long been favourite pieces of ours – pieces we’d take out and play when there wasn’t a keyboard player or cellist to hand, or busk as teenagers to earn extra pocket money. Back then, the audience’s response clearly indicated how appealing these pieces were as our takings always doubled when we played them! These works never cease to amaze – Mozart uses the two instruments so effectively and with such exquisite craftsmanship that he never leaves one wondering where the rest of the string quartet might have gone….They are also hugely engaging to play and so endlessly rich and interesting that the appeal to the listener is guaranteed. Mozart’s reference to other genres is always fascinating. In this case the writing is dramatic, operatic even (the violin taking the role as soprano diva (!) and the viola as the heroic tenor?!). One could perhaps go as far to say that these duos are distillations of the art of chamber music as in the Haydn quartets, but more naturally recreational and less self-conscious. For a violist they are about as exposed as you can be; hitherto very few sonatas or concerti had been written for solo viola – and the accompaniment would seldom have been as scant as a single violin. The conversational and imitative nature of the writing allows for freedom and characterization, and it was refreshing and rewarding to be as spontaneous as possible in the recording sessions. It was also a diverting and enjoyable experience to record two of the Michael Haydn duos, previously unknown to us both. The character of these pieces is often reminiscent of Austrian folkmusic and it really seems as if you can hear the yodelling vernacular bouncing off the mountains in timely echoes. The challenges in these works are quite different to those of his friend Wolfgang – the demands placed on the violinist are obvious as the writing is busy, yet in need of a casual fluidity, whereas the violist has the task of being constantly inventive with material which is largely accompanimental (melody and bass, in effect). Who knows? Maybe Wolfgang and Michael tried these out during Mozart’s visit to Salzburg when he helped his friend complete a set of six Sonatas in 1783. Rachel & Jane Duos for Violin and Viola | |||||||
| Composer | Mozart, Haydn | |||||||
| Producer | Jonathan Attwood | |||||||
| Recording Engineer / Mastering | Daan van Aalst / Jared Sacks | |||||||
| Technical Specifications | Microphones: Bruel & Kjaer 4006, Schoeps Digital Converters: DSD Super Audio/Grimm design AD/DA Speakers: Audiolab, Holland Software: Pyramix Editing, Merging Technologies Mixing Board: Rens Heijnis, custom design Mastering Room: B+W 803d series speakers, Classe 5200 Amplifier Cables: Van den Hul | |||||||
| Inlay | Mozart Duo for violin and viola in G major KV. 243 Haydn Duo for violin and viola No. 1 in C major - MH 335 Mozart Duo for violin and viola in B flat major - KV 424 Haydn Duo for violin and viola No. 2 in D major MH 336 Mozart Menuetto (from 12 Duos for Horn - KV 487 | |||||||
| Awards |
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| Quotes | Rachel Podger and her violist companion Jane Rogers make a natural pair (...) The top-notch musicianship is matched by a pellucid recording from Channel Classics. (...) al luisterend raak je in de ban van de puurheid, de ongecompliceerdheid, de eenvoud in vergelijking met welke andere grotere bezetting dan ook. (...) De twee violen meanderen lustig door elkaar, zuiver, gaaf, levendig (...) een cd van het kleine genieten, een exquise verzameling voorgerechtjes voor de fijnproever. (...) Great compositions by extremely gifted composers given exceptional playing by superlative soloists all wonderfully recorded make this another must own SACD. (...) Rachel Podger en Jane Rogers spelen de twee Mozarts en Haydns met een prachtige toonvorming en rijke expressie. (...) Rachel Podger and Jane Rogers escort Mozart at his most unbuttoned into the realm of simple mortals with their spontaneous, definitely interactive performances of Mozart's two sublime Duos for Violin and Viola. (…) In their hands, the dialogue between the two parts ranks equally with the dialogue between the two musical lines. (…) it becomes apparent that the subjective interaction between the two is authentically from the heart, the experience moves into a welcome realm in which Mozart himself is humanized. (…) the sound of these two string instruments is nothing short of sensational. (…) the result is simply breath-taking. (…) Great compositions by extremely gifted composers given exceptional playing by superlative soloists all wonderfully recorded make this another must own SACD. Diese SACD ist ein wahrer Ohrenschmaus. Rachel Podger und Jane Rogers übertreffen sich hier in ihrem Können, so dass man im Wohlklang ihrer herrlichen Instrumente baden kann. Die beiden Instrumentalistinnen bilden ein ideales Duo für die Musik von Mozart und Haydn, da ihr sensibles Spiel die feinen Nuancen der Kompositionen liebevoll zum Klingen bringt und den melodischen Reichtum der Kompositionen voll auskostet. (...) hoch professionellen Aufnahmetechnik von Channel Classic (...) Man meint die beiden Solistinnen stünden im Wohnzimmer. (...) Die beiden Musikerinnen verstehen sich in ihrem Spiel offensichtlich blind. Jede Phrase ist gemeinsam ausmusiziert, ihre Instrumente singen im Gleichklang. Selten hört man so wunderbare Musik mit so viel Herzblut und Geschmack gespielt. Man merkt bei jeder Note, dass diese beiden Musikerinnen auf jahrelange Erfahrung in sogenannten Originalklang-Ensembles zurückblicken können und Meisterinnen ihres Fachs sind. Podger l‘aborde avec l’expérience d’une intégrale des sonates qui marqué les esprits. C’est peut dire qu’elle fait chanter cette musique! Jane Rogers relève le défit: elle sait soutenit. Relancer, prendre l’initiative pour satisfaire à la parité des solistes. (...) These are splendid works. The combination of violin and viola is a remarkably sonorous one, and Michael Haydn's two duos are masterpieces no less accomplished than Mozart's. (...)The team of Podger and Rogers is very well matched in terms of timbre, phrasing, and interplay between melody and accompaniment. They communicate the joy of the allegros vividly and with great spirit. (...) (...) Their partnership is magically symbiotic, affording spirited, entrancing performances calculated to revive and enliven any jaded ear. (...) astonishing is the equanimity and near-perfect tonal balance between the two instrumental voices (...) beautifully cultivated and insightful performances, captured miraculously by a spacious yet entirely natural recording. Booklet notes and visual presentation, too, are first-rate (...) (...) Playing in ‘period’ style, but with resonant zest and spontaneity, Rachel Podger and Jane Rogers achieve a beautiful balance. (...) The music may be small scale but it is all – both the Mozart and that of his friend Michael Haydn, brother of Joseph – highly enjoyable. Rachel Podger’s name alone is enough to guarantee excellence of performance and she is very ably partnered by Jane Rogers. With excellent recording – I chose the 24/96 version – and a helpful pdf booklet, this is a very refreshing alternative to larger-scale Mozart. Michael Haydn, Joseph’s younger brother, was Mozart’s colleague at the archiepiscopal court of Salzburg. Their names are eternally linked through Mozart’s “missing” 37th Symphony — a work by the younger Haydn for which Mozart wrote a slow introduction — and these violin/viola sonatas, written to a commission from Archbishop Colloredo. Haydn was struggling to complete a set of six, so Mozart, on a return visit, helped him out, producing the only masterpieces, K423, in G, and K424, in B flat, for this combination. Wisely, Podger and Rogers have recorded only two of Haydn’s four agreeable contributions to the set: they pale besides the Mozart duos, which, in these lush-sounding performances, seem like studies for the great set of quartets dedicated to Michael’s older sibling. (...) Podger and Rogers, experts in bringing life to period style, lend these recreational works the flair they deserve. Rachel Podger and Jane Rogers give wonderfully polished performances of all the music on this disc. Their perfect intonation, crisp articulation and cultured phrasing is sheer delight. (…)The recording, made in All Saints Church, East Finchley, London, is skilfully balanced allowing the rich sound of Rachel's Pesarinius 1739 violin and Jane's more recent Jan Pawlikowski (Guarnerius model) to blend seamlessly. (…) This is a most desirable disc that can be confidently recommended to all lovers of exquisitely crafted, if less familiar, chamber music. (...) Podger laat haar viool zodanig zingen dat je wordt getroffen door de welhaast operateske, dramatische zangerigheid die Mozart de viool in duoverband toevertrouwt. (...) verbluffend hoeveel diepte, reliëf en expressie Mozart met twee strijkers weet te realiseren. (...) |
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| Running time | 72.37 | |||||||
| Number of cd's | 1 | |||||||
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Digital Converters: DSD Super Audio/Grimm design AD/DA
Speakers: Audiolab, Holland
Software: Pyramix Editing, Merging Technologies
Mixing Board: Rens Heijnis, custom design
Mastering Room: B+W 803d series speakers, Classe 5200 Amplifier
Cables: Van den Hul
|
Rachel Podger
Rachel Podger is one of the most creative talents to emerge in the field of period performance. Over the last two decades she has established herself as a leading interpreter of the music of the Baroque and Classical periods... |
Rachel Podger - violin
Jane Rogers - viola
Mozart Duo for violin and viola in G major KV. 243
Haydn Duo for violin and viola No. 1 in C major - MH 335
Mozart Duo for violin and viola in B flat major - KV 424
Haydn Duo for violin and viola No. 2 in D major MH 336
Mozart Menuetto (from 12 Duos for Horn - KV 487
:
These works never cease to amaze – Mozart uses the two instruments so effectively and with such exquisite craftsmanship that he never leaves one wondering where the rest of the string quartet might have gone….They are also hugely engaging to play and so endlessly
rich and interesting that the appeal to the listener is guaranteed. Mozart’s reference to other genres is always fascinating. In this case the writing is dramatic, operatic even (the violin taking the role as soprano diva (!) and the viola as the heroic tenor?!). One could perhaps go as far to say that these duos are distillations of the art of chamber music as in the Haydn quartets, but more naturally recreational and less self-conscious.
For a violist they are about as exposed as you can be; hitherto very few sonatas or concerti had been written for solo viola – and the accompaniment would seldom have been as scant as a single violin. The conversational and imitative nature of the writing allows for freedom and
characterization, and it was refreshing and rewarding to be as spontaneous as possible in the recording sessions. It was also a diverting and enjoyable experience to record two of the Michael Haydn duos, previously unknown to us both. The character of these pieces is often reminiscent
of Austrian folkmusic and it really seems as if you can hear the yodelling vernacular bouncing off the mountains in timely echoes. The challenges in these works are quite different to those of his friend Wolfgang – the demands placed on the violinist are obvious as the writing is busy,
yet in need of a casual fluidity, whereas the violist has the task of being constantly inventive with material which is largely accompanimental (melody and bass, in effect). Who knows?
Maybe Wolfgang and Michael tried these out during Mozart’s visit to Salzburg when he helped his friend complete a set of six Sonatas in 1783.
Rachel & Jane
Duos for Violin and Viola
Rachel Podger and her violist companion Jane Rogers make a natural pair (...) The top-notch musicianship is matched by a pellucid recording from Channel Classics.
Audiophile Audition
(...) al luisterend raak je in de ban van de puurheid, de ongecompliceerdheid, de eenvoud in vergelijking met welke andere grotere bezetting dan ook. (...) De twee violen meanderen lustig door elkaar, zuiver, gaaf, levendig (...) een cd van het kleine genieten, een exquise verzameling voorgerechtjes voor de fijnproever.
Luister
(...) Great compositions by extremely gifted composers given exceptional playing by superlative soloists all wonderfully recorded make this another must own SACD. (...)
Hi-fi
Rachel Podger en Jane Rogers spelen de twee Mozarts en Haydns met een prachtige toonvorming en rijke expressie. (...)
TOM [tijdschrift oudemuziek]
Rachel Podger and Jane Rogers escort Mozart at his most unbuttoned into the realm of simple mortals with their spontaneous, definitely interactive performances of Mozart's two sublime Duos for Violin and Viola. (…) In their hands, the dialogue between the two parts ranks equally with the dialogue between the two musical lines. (…) it becomes apparent that the subjective interaction between the two is authentically from the heart, the experience moves into a welcome realm in which Mozart himself is humanized.
Strings
(…) the sound of these two string instruments is nothing short of sensational. (…) the result is simply breath-taking. (…) Great compositions by extremely gifted composers given exceptional playing by superlative soloists all wonderfully recorded make this another must own SACD.
HIFI plus
Diese SACD ist ein wahrer Ohrenschmaus. Rachel Podger und Jane Rogers übertreffen sich hier in ihrem Können, so dass man im Wohlklang ihrer herrlichen Instrumente baden kann. Die beiden Instrumentalistinnen bilden ein ideales Duo für die Musik von Mozart und Haydn, da ihr sensibles Spiel die feinen Nuancen der Kompositionen liebevoll zum Klingen bringt und den melodischen Reichtum der Kompositionen voll auskostet. (...) hoch professionellen Aufnahmetechnik von Channel Classic (...) Man meint die beiden Solistinnen stünden im Wohnzimmer. (...) Die beiden Musikerinnen verstehen sich in ihrem Spiel offensichtlich blind. Jede Phrase ist gemeinsam ausmusiziert, ihre Instrumente singen im Gleichklang. Selten hört man so wunderbare Musik mit so viel Herzblut und Geschmack gespielt. Man merkt bei jeder Note, dass diese beiden Musikerinnen auf jahrelange Erfahrung in sogenannten Originalklang-Ensembles zurückblicken können und Meisterinnen ihres Fachs sind.
Klassic.com
Podger l‘aborde avec l’expérience d’une intégrale des sonates qui marqué les esprits. C’est peut dire qu’elle fait chanter cette musique! Jane Rogers relève le défit: elle sait soutenit. Relancer, prendre l’initiative pour satisfaire à la parité des solistes. (...)
Diapason d’Or
These are splendid works. The combination of violin and viola is a remarkably sonorous one, and Michael Haydn's two duos are masterpieces no less accomplished than Mozart's. (...)The team of Podger and Rogers is very well matched in terms of timbre, phrasing, and interplay between melody and accompaniment. They communicate the joy of the allegros vividly and with great spirit. (...)
Classics Today
(...) Their partnership is magically symbiotic, affording spirited, entrancing performances calculated to revive and enliven any jaded ear. (...) astonishing is the equanimity and near-perfect tonal balance between the two instrumental voices (...) beautifully cultivated and insightful performances, captured miraculously by a spacious yet entirely natural recording. Booklet notes and visual presentation, too, are first-rate (...)
International Record Review
(...) Playing in ‘period’ style, but with resonant zest and spontaneity, Rachel Podger and Jane Rogers achieve a beautiful balance.
BBC Music Magazine
(...) The music may be small scale but it is all – both the Mozart and that of his friend Michael Haydn, brother of Joseph – highly enjoyable. Rachel Podger’s name alone is enough to guarantee excellence of performance and she is very ably partnered by Jane Rogers. With excellent recording – I chose the 24/96 version – and a helpful pdf booklet, this is a very refreshing alternative to larger-scale Mozart.
MusicWeb – International
Michael Haydn, Joseph’s younger brother, was Mozart’s colleague at the archiepiscopal court of Salzburg. Their names are eternally linked through Mozart’s “missing” 37th Symphony — a work by the younger Haydn for which Mozart wrote a slow introduction — and these violin/viola sonatas, written to a commission from Archbishop Colloredo. Haydn was struggling to complete a set of six, so Mozart, on a return visit, helped him out, producing the only masterpieces, K423, in G, and K424, in B flat, for this combination. Wisely, Podger and Rogers have recorded only two of Haydn’s four agreeable contributions to the set: they pale besides the Mozart duos, which, in these lush-sounding performances, seem like studies for the great set of quartets dedicated to Michael’s older sibling.
Sunday Times
(...) Podger and Rogers, experts in bringing life to period style, lend these recreational works the flair they deserve.
Financial Times
Rachel Podger and Jane Rogers give wonderfully polished performances of all the music on this disc. Their perfect intonation, crisp articulation and cultured phrasing is sheer delight. (…)The recording, made in All Saints Church, East Finchley, London, is skilfully balanced allowing the rich sound of Rachel's Pesarinius 1739 violin and Jane's more recent Jan Pawlikowski (Guarnerius model) to blend seamlessly. (…) This is a most desirable disc that can be confidently recommended to all lovers of exquisitely crafted, if less familiar, chamber music.
SA-CS.net, 5 stars
(...) Podger laat haar viool zodanig zingen dat je wordt getroffen door de welhaast operateske, dramatische zangerigheid die Mozart de viool in duoverband toevertrouwt. (...) verbluffend hoeveel diepte, reliëf en expressie Mozart met twee strijkers weet te realiseren. (...)
NRC
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