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- Dvorak Symphony no. 8, 9
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*Licensed from Decca Music Group Limited, a division of Universal Music Group – original cat. no. 470 617-2
This pair of symphonies was written solely to satisfy Dvořák’s own poetic muse. In the keys of G major and its relative minor, E minor, they can be regarded as representing two sides of the same coin. The Eighth, composed in Dvořák’s summer residence at Vysoká deep in the Bohemian countryside, is indisputably “From the Old World” and rooted in Central Europe — “a work singing of the joy of green pastures, of summer evenings, of the melancholy of blue forests, of the defiant merry-making of the Czech peasants”, to quote the conductor Václav Talich, while the Ninth, composed in the claustrophobic surroundings of New York and intended as a greeting “From the New World”, is steeped in the composer’s “unappeasable yearning for his native soil” (from: liner notes)
Additional Information
| SACD or CD? | SACD (plays on all cd players) |
|---|---|
| Year of release | original release 2002 Channel re-release 2010 |
| Recording Location | Budapest Hungary |
| Main artist | Fischer, Ivan - conductor |
| Performers | Budapest Festival Orchestra Antonín Dvorák (1841 - 1904) |
| Introduction by artist | *Licensed from Decca Music Group Limited, a division of Universal Music Group – original cat. no. 470 617-2 This pair of symphonies was written solely to satisfy Dvořák’s own poetic muse. In the keys of G major and its relative minor, E minor, they can be regarded as representing two sides of the same coin. The Eighth, composed in Dvořák’s summer residence at Vysoká deep in the Bohemian countryside, is indisputably “From the Old World” and rooted in Central Europe — “a work singing of the joy of green pastures, of summer evenings, of the melancholy of blue forests, of the defiant merry-making of the Czech peasants”, to quote the conductor Václav Talich, while the Ninth, composed in the claustrophobic surroundings of New York and intended as a greeting “From the New World”, is steeped in the composer’s “unappeasable yearning for his native soil” (from: liner notes) |
| Composer | Dvorak |
| Producer | Hein Dekker |
| Recording Engineer / Mastering | Hein Dekker, Erdo Groot |
| Technical Specifications | Microphones: Bruel & Kjaer 4006, Schoeps Digital Converters: DSD Super Audio/Meitner Design AD/DA Speakers: Audiolab, Holland Software: Pyramix Editing, Merging Technologies Mixing Board: Rens Heijnis, custom design Mastering Room: B+W 803d series speakers, Classe 5200 Amplifier Cables: Van den Hul |
| Inlay | Antonín Dvorák (1841 - 1904) |
| Quotes | p>(...) The performance of the ‘New World’ sounds as fresh as when it was first released nine years ago. The Sunday Times (...) Geweldig!! Vindt de Achtste zijn muzikale weerslag in de oude wereld, de Negende in de nieuwe wereld, maar beide zijn doorspekt van een niet te stillen verlangen naar zijn geboortegrond. Heel goed voorstelbaar en aanstekelijk! (…) Een uitvoering van één van de mooiste orkesten van de wereld en Fischer is één van de grote maestro’s van onze tijd, die uitblinkt in het Slavische repertoire. Een klassieker. Inside the cover of this disc is a map of old New York. Here is East 17th Street, where Dvorák wrote his Ninth Symphony, ‘From the New World’ in 1893. It's a red herring, as it happens, for Iván Fischer's performance with the Budapest Festival Orchestra looks East, exploring the influence of Tchaikovsky on the Czech composer. This is a startling reading, brilliantly coloured and thrillingly balanced. Dvorák's American motifs acquire a dark, Slavonic tang, while the resinous scents of the Eighth are intoxicating. |
| Running time | 78:00 |
| Number of cd's | 1 |
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Channel re-release 2010
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Digital Converters: DSD Super Audio/Meitner Design AD/DA
Speakers: Audiolab, Holland
Software: Pyramix Editing, Merging Technologies
Mixing Board: Rens Heijnis, custom design
Mastering Room: B+W 803d series speakers, Classe 5200 Amplifier
Cables: Van den Hul
|
Ivan Fischer, Budapest Festival Orchestra
Iván Fischer is founder and Music Director of the Budapest Festival Orchestra. The partnership between Iván Fischer and his Budapest Festival Orchestra has proved to be one of the greatest success stories in the past three decades of classical music. |
Budapest Festival Orchestra
Ivan Fischer - conductor
Antonín Dvorák (1841 - 1904)
Symphony no. 8 & no. 9 ‘From the New World’
Symphony no. 8 in G major, op. 88
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*Licensed from Decca Music Group Limited, a division of Universal Music Group – original cat. no. 470 617-2
This pair of symphonies was written solely to satisfy Dvořák’s own poetic muse. In the keys of G major and its relative minor, E minor, they can be regarded as representing two sides of the same coin. The Eighth, composed in Dvořák’s summer residence at Vysoká deep in the Bohemian countryside, is indisputably “From the Old World” and rooted in Central Europe — “a work singing of the joy of green pastures, of summer evenings, of the melancholy of blue forests, of the defiant merry-making of the Czech peasants”, to quote the conductor Václav Talich, while the Ninth, composed in the claustrophobic surroundings of New York and intended as a greeting “From the New World”, is steeped in the composer’s “unappeasable yearning for his native soil” (from: liner notes)
The Sunday Times
(...) Geweldig!! Vindt de Achtste zijn muzikale weerslag in de oude wereld, de Negende in de nieuwe wereld, maar beide zijn doorspekt van een niet te stillen verlangen naar zijn geboortegrond. Heel goed voorstelbaar en aanstekelijk!
HVT
(…) Een uitvoering van één van de mooiste orkesten van de wereld en Fischer is één van de grote maestro’s van onze tijd, die uitblinkt in het Slavische repertoire. Een klassieker.
Luister 10
Inside the cover of this disc is a map of old New York. Here is East 17th Street, where Dvorák wrote his Ninth Symphony, ‘From the New World’ in 1893. It's a red herring, as it happens, for Iván Fischer's performance with the Budapest Festival Orchestra looks East, exploring the influence of Tchaikovsky on the Czech composer. This is a startling reading, brilliantly coloured and thrillingly balanced. Dvorák's American motifs acquire a dark, Slavonic tang, while the resinous scents of the Eighth are intoxicating.
The Independent
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