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Figure Humaine

31411

Figure Humaine

Dijkstra, Peter - conductor
Swedish Radio Choir

Poulenc

Awards
Classics Today 10/10 Classics Today 10/10 BBC Music Magazine 5/5 stars BBC Music Magazine 5/5 stars Performance 5 stars Sonics 4.5 stars Performance 5 stars Sonics 4.5 stars Fono Forum Musik & Klang 5 stars Fono Forum Musik & Klang 5 stars de Volksrant 5 stars de Volksrant 5 stars
Opus HD d'Or Opus HD d'Or
Physical CD Price  
No (In stock)
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FLAC 24bit 192kHz
FLAC 24bit 96kHz
FLAC 24bit 44.1kHz
MP3 320k 44.1

Availability: In stock.

Physical CD Price  
SACD (plays on all cd players) (In Stock)
$21.68
Direct Stream Digital Price  
DIJKSTRA_31411_DFF 1 DFF 1bit 2822.4kHz (2,487.5MB)
Regular: $38.26 Special: $32.52
High Quality Downloads (All tracks) Price  
Studio Master HD FLAC 24bit 192kHz (1,889.3MB)
Regular: $25.51 Special: $21.68
Studio Master FLAC 24bit 96kHz (1,096.4MB)
Regular: $21.68 Special: $18.43
CD Quality FLAC 24bit 44.1kHz (490.3MB)
Regular: $17.86 Special: $15.18
MP3 320k MP3 320k 44.1kHz (0.0MB)
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Tracks: Listen and Download
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Poulenc - Mass - Kyrie
1. Poulenc - Mass - Kyrie
3:57
Regular: $1.68 Special: $1.43
Poulenc - Mass - Gloria
2. Poulenc - Mass - Gloria
4:03
Regular: $2.10 Special: $1.79
Poulenc - Mass - Sanctus
3. Poulenc - Mass - Sanctus
2:35
Regular: $1.26 Special: $1.07
Poulenc - Mass - Benedictus
4. Poulenc - Mass - Benedictus
3:55
Regular: $1.68 Special: $1.43
Poulenc - Mass - Agnus Dei
5. Poulenc - Mass - Agnus Dei
5:16
Regular: $2.53 Special: $2.14
Poulenc - Sept Chansons - La blanche neige
6. Poulenc - Sept Chansons - La blanche neige
1:13
Regular: $1.26 Special: $1.07
Poulenc - Sept Chansons - A peine défigurée
7. Poulenc - Sept Chansons - A peine défigurée
1:48
Regular: $1.26 Special: $1.07
Poulenc - Sept Chansons - Par une nuit nouvelle
8. Poulenc - Sept Chansons - Par une nuit nouvelle
1:31
Regular: $1.26 Special: $1.07
Poulenc - Sept Chansons - Tous les droits
9. Poulenc - Sept Chansons - Tous les droits
2:54
Regular: $1.26 Special: $1.07
Poulenc - Sept Chansons - Belle et ressemblante
10. Poulenc - Sept Chansons - Belle et ressemblante
2:23
Regular: $1.26 Special: $1.07
Poulenc - Sept Chansons - Marie
11. Poulenc - Sept Chansons - Marie
2:22
Regular: $1.26 Special: $1.07
Poulenc - Sept Chansons - Luire
12. Poulenc - Sept Chansons - Luire
2:12
Regular: $1.26 Special: $1.07
Poulenc - Un Soir de Neige - De grandes cuillers de neige
13. Poulenc - Un Soir de Neige - De grandes cuillers de neige
1:30
Regular: $1.26 Special: $1.07
Poulenc - Un Soir de Neige - La bonne neige
14. Poulenc - Un Soir de Neige - La bonne neige
1:31
Regular: $1.26 Special: $1.07
Poulenc - Un Soir de Neige - Bois meurtri
15. Poulenc - Un Soir de Neige - Bois meurtri
2:32
Regular: $1.26 Special: $1.07
Poulenc - Un Soir de Neige - La nuit la froid la solitude
16. Poulenc - Un Soir de Neige - La nuit la froid la solitude
1:18
Regular: $1.26 Special: $1.07
Poulenc - Figure Humaine - De tous les printemps du monde
17. Poulenc - Figure Humaine - De tous les printemps du monde
3:16
Regular: $1.68 Special: $1.43
Poulenc - Figure Humaine - En chantant les servantes s’élancent
18. Poulenc - Figure Humaine - En chantant les servantes s’élancent
2:18
Regular: $1.26 Special: $1.07
Poulenc - Figure Humaine - Aussi bas que le silence
19. Poulenc - Figure Humaine - Aussi bas que le silence
1:46
Regular: $1.26 Special: $1.07
Poulenc - Figure Humaine - Toi ma patiente
20. Poulenc - Figure Humaine - Toi ma patiente
2:10
Regular: $1.26 Special: $1.07
Poulenc - Figure Humaine - Riant du ciel et des planètes
21. Poulenc - Figure Humaine - Riant du ciel et des planètes
1:05
Regular: $1.26 Special: $1.07
Poulenc - Figure Humaine - Le jour m’étonne et la nuit
22. Poulenc - Figure Humaine - Le jour m’étonne et la nuit
1:47
Regular: $1.26 Special: $1.07
Poulenc - Figure Humaine - La menace sous le ciel rouge
23. Poulenc - Figure Humaine - La menace sous le ciel rouge
2:48
Regular: $1.26 Special: $1.07
Poulenc - Figure Humaine - Liberté
24. Poulenc - Figure Humaine - Liberté
5:16
Regular: $2.53 Special: $2.14
Total Time 1:01:26 
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Poulenc - Mass - Kyrie
1. Poulenc - Mass - Kyrie
3:57
Regular: $1.50 Special: $1.28
Poulenc - Mass - Gloria
2. Poulenc - Mass - Gloria
4:03
Regular: $1.87 Special: $1.59
Poulenc - Mass - Sanctus
3. Poulenc - Mass - Sanctus
2:35
Regular: $1.12 Special: $0.96
Poulenc - Mass - Benedictus
4. Poulenc - Mass - Benedictus
3:55
Regular: $1.50 Special: $1.28
Poulenc - Mass - Agnus Dei
5. Poulenc - Mass - Agnus Dei
5:16
Regular: $2.24 Special: $1.91
Poulenc - Sept Chansons - La blanche neige
6. Poulenc - Sept Chansons - La blanche neige
1:13
Regular: $1.12 Special: $0.96
Poulenc - Sept Chansons - A peine défigurée
7. Poulenc - Sept Chansons - A peine défigurée
1:48
Regular: $1.12 Special: $0.96
Poulenc - Sept Chansons - Par une nuit nouvelle
8. Poulenc - Sept Chansons - Par une nuit nouvelle
1:31
Regular: $1.12 Special: $0.96
Poulenc - Sept Chansons - Tous les droits
9. Poulenc - Sept Chansons - Tous les droits
2:54
Regular: $1.12 Special: $0.96
Poulenc - Sept Chansons - Belle et ressemblante
10. Poulenc - Sept Chansons - Belle et ressemblante
2:23
Regular: $1.12 Special: $0.96
Poulenc - Sept Chansons - Marie
11. Poulenc - Sept Chansons - Marie
2:22
Regular: $1.12 Special: $0.96
Poulenc - Sept Chansons - Luire
12. Poulenc - Sept Chansons - Luire
2:12
Regular: $1.12 Special: $0.96
Poulenc - Un Soir de Neige - De grandes cuillers de neige
13. Poulenc - Un Soir de Neige - De grandes cuillers de neige
1:30
Regular: $1.12 Special: $0.96
Poulenc - Un Soir de Neige - La bonne neige
14. Poulenc - Un Soir de Neige - La bonne neige
1:31
Regular: $1.12 Special: $0.96
Poulenc - Un Soir de Neige - Bois meurtri
15. Poulenc - Un Soir de Neige - Bois meurtri
2:32
Regular: $1.12 Special: $0.96
Poulenc - Un Soir de Neige - La nuit la froid la solitude
16. Poulenc - Un Soir de Neige - La nuit la froid la solitude
1:18
Regular: $1.12 Special: $0.96
Poulenc - Figure Humaine - De tous les printemps du monde
17. Poulenc - Figure Humaine - De tous les printemps du monde
3:16
Regular: $1.50 Special: $1.28
Poulenc - Figure Humaine - En chantant les servantes s’élancent
18. Poulenc - Figure Humaine - En chantant les servantes s’élancent
2:18
Regular: $1.12 Special: $0.96
Poulenc - Figure Humaine - Aussi bas que le silence
19. Poulenc - Figure Humaine - Aussi bas que le silence
1:46
Regular: $1.12 Special: $0.96
Poulenc - Figure Humaine - Toi ma patiente
20. Poulenc - Figure Humaine - Toi ma patiente
2:10
Regular: $1.12 Special: $0.96
Poulenc - Figure Humaine - Riant du ciel et des planètes
21. Poulenc - Figure Humaine - Riant du ciel et des planètes
1:05
Regular: $1.12 Special: $0.96
Poulenc - Figure Humaine - Le jour m’étonne et la nuit
22. Poulenc - Figure Humaine - Le jour m’étonne et la nuit
1:47
Regular: $1.12 Special: $0.96
Poulenc - Figure Humaine - La menace sous le ciel rouge
23. Poulenc - Figure Humaine - La menace sous le ciel rouge
2:48
Regular: $1.12 Special: $0.96
Poulenc - Figure Humaine - Liberté
24. Poulenc - Figure Humaine - Liberté
5:16
Regular: $2.24 Special: $1.91
Total Time 1:01:26 
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Poulenc - Mass - Kyrie
1. Poulenc - Mass - Kyrie
3:57
Regular: $1.16 Special: $0.98
Poulenc - Mass - Gloria
2. Poulenc - Mass - Gloria
4:03
Regular: $1.45 Special: $1.24
Poulenc - Mass - Sanctus
3. Poulenc - Mass - Sanctus
2:35
Regular: $0.87 Special: $0.74
Poulenc - Mass - Benedictus
4. Poulenc - Mass - Benedictus
3:55
Regular: $1.16 Special: $0.98
Poulenc - Mass - Agnus Dei
5. Poulenc - Mass - Agnus Dei
5:16
Regular: $1.75 Special: $1.48
Poulenc - Sept Chansons - La blanche neige
6. Poulenc - Sept Chansons - La blanche neige
1:13
Regular: $0.87 Special: $0.74
Poulenc - Sept Chansons - A peine défigurée
7. Poulenc - Sept Chansons - A peine défigurée
1:48
Regular: $0.87 Special: $0.74
Poulenc - Sept Chansons - Par une nuit nouvelle
8. Poulenc - Sept Chansons - Par une nuit nouvelle
1:31
Regular: $0.87 Special: $0.74
Poulenc - Sept Chansons - Tous les droits
9. Poulenc - Sept Chansons - Tous les droits
2:54
Regular: $0.87 Special: $0.74
Poulenc - Sept Chansons - Belle et ressemblante
10. Poulenc - Sept Chansons - Belle et ressemblante
2:23
Regular: $0.87 Special: $0.74
Poulenc - Sept Chansons - Marie
11. Poulenc - Sept Chansons - Marie
2:22
Regular: $0.87 Special: $0.74
Poulenc - Sept Chansons - Luire
12. Poulenc - Sept Chansons - Luire
2:12
Regular: $0.87 Special: $0.74
Poulenc - Un Soir de Neige - De grandes cuillers de neige
13. Poulenc - Un Soir de Neige - De grandes cuillers de neige
1:30
Regular: $0.87 Special: $0.74
Poulenc - Un Soir de Neige - La bonne neige
14. Poulenc - Un Soir de Neige - La bonne neige
1:31
Regular: $0.87 Special: $0.74
Poulenc - Un Soir de Neige - Bois meurtri
15. Poulenc - Un Soir de Neige - Bois meurtri
2:32
Regular: $0.87 Special: $0.74
Poulenc - Un Soir de Neige - La nuit la froid la solitude
16. Poulenc - Un Soir de Neige - La nuit la froid la solitude
1:18
Regular: $0.87 Special: $0.74
Poulenc - Figure Humaine - De tous les printemps du monde
17. Poulenc - Figure Humaine - De tous les printemps du monde
3:16
Regular: $1.16 Special: $0.98
Poulenc - Figure Humaine - En chantant les servantes s’élancent
18. Poulenc - Figure Humaine - En chantant les servantes s’élancent
2:18
Regular: $0.87 Special: $0.74
Poulenc - Figure Humaine - Aussi bas que le silence
19. Poulenc - Figure Humaine - Aussi bas que le silence
1:46
Regular: $0.87 Special: $0.74
Poulenc - Figure Humaine - Toi ma patiente
20. Poulenc - Figure Humaine - Toi ma patiente
2:10
Regular: $0.87 Special: $0.74
Poulenc - Figure Humaine - Riant du ciel et des planètes
21. Poulenc - Figure Humaine - Riant du ciel et des planètes
1:05
Regular: $0.87 Special: $0.74
Poulenc - Figure Humaine - Le jour m’étonne et la nuit
22. Poulenc - Figure Humaine - Le jour m’étonne et la nuit
1:47
Regular: $0.87 Special: $0.74
Poulenc - Figure Humaine - La menace sous le ciel rouge
23. Poulenc - Figure Humaine - La menace sous le ciel rouge
2:48
Regular: $0.87 Special: $0.74
Poulenc - Figure Humaine - Liberté
24. Poulenc - Figure Humaine - Liberté
5:16
Regular: $1.75 Special: $1.48
Total Time 1:01:26 
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Poulenc - Mass - Kyrie
1. Poulenc - Mass - Kyrie
3:57
$0.00
Poulenc - Mass - Gloria
2. Poulenc - Mass - Gloria
4:03
$0.00
Poulenc - Mass - Sanctus
3. Poulenc - Mass - Sanctus
2:36
$0.00
Poulenc - Mass - Benedictus
4. Poulenc - Mass - Benedictus
3:55
$0.00
Poulenc - Mass - Agnus Dei
5. Poulenc - Mass - Agnus Dei
5:16
$0.00
Poulenc - Sept Chansons - La blanche neige
6. Poulenc - Sept Chansons - La blanche neige
1:13
$0.00
Poulenc - Sept Chansons - A peine défigurée
7. Poulenc - Sept Chansons - A peine défigurée
1:48
$0.00
Poulenc - Sept Chansons - Par une nuit nouvelle
8. Poulenc - Sept Chansons - Par une nuit nouvelle
1:31
$0.00
Poulenc - Sept Chansons - Tous les droits
9. Poulenc - Sept Chansons - Tous les droits
2:54
$0.00
Poulenc - Sept Chansons - Belle et ressemblante
10. Poulenc - Sept Chansons - Belle et ressemblante
2:23
$0.00
Poulenc - Sept Chansons - Marie
11. Poulenc - Sept Chansons - Marie
2:22
$0.00
Poulenc - Sept Chansons - Luire
12. Poulenc - Sept Chansons - Luire
2:13
$0.00
Poulenc - Un Soir de Neige - De grandes cuillers de neige
13. Poulenc - Un Soir de Neige - De grandes cuillers de neige
1:30
$0.00
Poulenc - Un Soir de Neige - La bonne neige
14. Poulenc - Un Soir de Neige - La bonne neige
1:31
$0.00
Poulenc - Un Soir de Neige - Bois meurtri
15. Poulenc - Un Soir de Neige - Bois meurtri
2:32
$0.00
Poulenc - Un Soir de Neige - La nuit la froid la solitude
16. Poulenc - Un Soir de Neige - La nuit la froid la solitude
1:18
$0.00
Poulenc - Figure Humaine - De tous les printemps du monde
17. Poulenc - Figure Humaine - De tous les printemps du monde
3:16
$0.00
Poulenc - Figure Humaine - En chantant les servantes s’élancent
18. Poulenc - Figure Humaine - En chantant les servantes s’élancent
2:18
$0.00
Poulenc - Figure Humaine - Aussi bas que le silence
19. Poulenc - Figure Humaine - Aussi bas que le silence
1:46
$0.00
Poulenc - Figure Humaine - Toi ma patiente
20. Poulenc - Figure Humaine - Toi ma patiente
2:10
$0.00
Poulenc - Figure Humaine - Riant du ciel et des planètes
21. Poulenc - Figure Humaine - Riant du ciel et des planètes
1:05
$0.00
Poulenc - Figure Humaine - Le jour m’étonne et la nuit
22. Poulenc - Figure Humaine - Le jour m’étonne et la nuit
1:47
$0.00
Poulenc - Figure Humaine - La menace sous le ciel rouge
23. Poulenc - Figure Humaine - La menace sous le ciel rouge
2:48
$0.00
Poulenc - Figure Humaine - Liberté
24. Poulenc - Figure Humaine - Liberté
5:16
$0.00
Total Time 1:01:28 
: 
1

: 
2011

: 
Stockholm Sweden

: 
Hein Dekker

: 
Jared Sacks, Hein Dekker

: 
61.40

: 
Microphones: Bruel & Kjaer 4006, Schoeps
Digital Converters: DSD Super Audio/Grimm Audio AD/DA
Speakers: Audiolab, Holland
Software: Pyramix Editing, Merging Technologies
Mixing Board: Rens Heijnis, custom design
Mastering Room: B+W 803d series speakers, Classe 5200 Amplifier
Cables: Van den Hul

Peter Dijkstra
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Peter Dijkstra
Peter Dijkstra, born in the Netherlands in 1978, is one of the leading choral conductors of our time. He comes from a musical family and as a boysoprano he was invited for many solo performances


: 
Swedish Radio Choir
Peter Dijkstra - conductor<

Mass in G major (1937)
Sept Chansons (1936)
Un soir de neige (1944)
Figure Humaine (1943)


: 
To issue a CD of Poulenc's most important choral work is to make a huge statement, and to take something of a risk. Why does one do it? Aren't there enough recordings already?

Having said that, in my case it's simply dire necessity. This work is so beautiful, so impressive, and so important to the canon of twentieth-century choral music, that I cannot resist having a say of my own. I do believe that Poulenc´s 12-part Figure humaine is the most beautiful and impressive a cappella choral work that I know. The poet Eluard and composer Poulenc formed a perfect match. Eluard's poignant and sinister surrealistic texts are very moving, and their wonderfully expressive language depicts the horrors of the Second World War. It is without doubt a harrowing work, with a pièce de résistance to end: the eighth and final movement Liberté. In the most beautiful words, it expresses the omnipresent urge for liberty. Poulenc's setting is simply wonderful, with a gigantic buildup to the concluding, ultimate cry of LIBERTÉ!

It is a great joy to perform this sort of music with my Swedish Radio Choir. The ensemble is a very strong group, and most eager to stretch its boundaries. The strength of the group is not merely the sum of its individual qualities. At the moment when these qualities merge into one, the group develops still further, and the ensemble attains a higher elevation. However important blending of the sound may be, it may not be at the expense of individual colour and personality. Choirs are frequently recorded from a considerable distance, perhaps to improve the blend. I often find the resulting sound to be distant, and detrimental to the clarity of the text. The recording technique of Channel Classics seeks to establish a synthesis, combining directness and clarity with spatial effect. This is exactly my own approach to choral timbre: the choir must achieve the greatest unity and blend, but also allow space for individual colour. It is at such moments that the listener feels personally involved, and the music gains a human aspect. I am convinced that this is the sound Poulenc had in mind when he wrote Figure humaine.

Peter Dijkstra

: 

Der Chor gibt die jeweiligen Stimmungen der Sätze oder Passagen angemessen wieder: tänzerisch in 'Marie' ('Sept Chansons'), nachdenklich in 'De grandes cuillers de neige' ('Un soir de neige') oder hämisch in 'Riant du ciel et des planètes' ('Figure humaine'). Die Intonation ist makellos, der Chorklang angenehm weich und harmonisch, die Phrasierungen stimmig und rund.
Klassik.com


This is a first-rate disc of some of Poulenc’s finest music. (...) The radiance and resonance of the singing is altogether exceptional and Dijkstra’s conducting moulds the music lovingly but never indulgently. (...) it’s great to hear Poulenc’s tricky choral writing rendered with such control and beauty of tone. (...)
International Record Review


(...) De opname is van bekende Channel-Classics-klasse, de uitvoerenden (..) van wereldniveau onder leiding van Peter Dijkstra. (...) Nogmaals hulde!
HVT


(...) The 35-voice choir makes a suitably full-bodied sound, yet keeps the individual lines clean and clear and the textures rich and vibrant, confirming once again the reasons that make us not only so happy to listen but that also make us want to sing. Channel Classics' Jared Sacks has been recording choirs for a long time--and as one of the first to fully appreciate, understand, and utilize the potential of digital recording, he consistently produces demonstration-quality recordings that present the performers in an acoustic setting that's most favorable to their art and to their music. This is no exception--and although there are many alternatives in the CD catalog--from Accentus, The Sixteen, The Netherlands Chamber Choir, to name a few--they lack just that slight, vibrant edge and exuberance characterized in these performances, which should find a place in every choral music lover's library. Highly recommended.
Classics Today 10/10


(...) vorbildlichen Ensemblekultur (...) Der Chor ist ungemein präsent abgebildet (...) eine rundum beglückende Hörerfahrung.
Fonoforum (*****)


Ribbons of joy fly brightly through the Gloria and Sanctus of the Mass from 1937. (…) Peter Dijkstra keeps the music moving and flowing (…)
Gramophone


(...) The Mass, performed with unusual power as well as the expected gentle lucidity, gives this CD an arresting start (...)  To have all four works you can confidently choose this new release.
BBC Music 5 stars


(...) The ethereal solo contributions of soprano Jessica Bäcklund and alto Christiane Höjlund in the ‘Agnus Dei’ deserve special mention. (...) Channel Classic’s superb DSD recording made in the Musikaliska, Stockholm presents the choir in a spacious acoustic that accommodates the huge dynamic range of the singing without strain. (...) This challenging, but rewarding disc is confidently recommended.
SA-CD.net Performance ***** Sonics*****


Onder leiding van de jonge, talentvolle Nederlandse chef-dirigent Peter Dijkstra zingt het Zweeds Radio Koor vier ronduit schitterende koorwerken van Poulenc. Tegelijkertijd laat het horen waarom het geldt als één van de beste kamerkoren ter wereld. (...) Meesterwerken.
Het Parool


(...) De opname is op het eerste gehoor confronterend direct. Maar het komt de zeggingskracht van de muziek ten goede. De Zweedse zangers leveren ongelooflijk knap gezongen uitvoeringen, waarin de harmonische ontwikkelingen zo zijn gedrapeerd en gestapeld dat er fantastische sonoriteiten ontstaan, die soms zelfs grenzen aan rauwe, bijna uitgekreten spreekkoren. (...) een hartstochtelijke ode aan de vrijheid.
De Volkskrant *****


De Nederlandse koordirigent Peter Dijkstra kneedt het Swedish Radio Choir tot topprestaties (...). De opname is heel direct, maar dat maakt het alleen maar spannender (...)
De Gelderlander


           
43
  • Date
  • Details
  • May 26, 2012
  • Peter Dijkstra
  • Berwaldhallen
  • Stockholm
  • , Sweden
  • Other Performers: Swedish Radio Choir and Orchestra
  • May 27, 2012
  • Peter Dijkstra
  • Jacobs kyrka
  • Stockholm
  • , Sweden
  • Other Performers: Swedish Radio Choir
  • Jun 16, 2012
  • Peter Dijkstra
  • Art Tower
  • Mito
  • , Japan
  • Other Performers: Swedish Radio Choir
  • Jun 17, 2012
  • Peter Dijkstra
  • venue tba
  • Kirishima
  • , Japan
  • Other Performers: Swedish Radio Choir
  • Jun 19, 2012
  • Peter Dijkstra
  • Concert Hall
  • Tokyo
  • , Japan
  • Other Performers: Swedish Radio Choir
  • Jun 20, 2012
  • Peter Dijkstra
  • venue tba
  • Hamamatsu
  • , Japan
  • Other Performers: Swedish Radio Choir
  • Jun 21, 2012
  • Peter Dijkstra
  • venue tba
  • Kurashiki
  • , Japan
  • Other Performers: Swedish Radio Choir
  • Jun 22, 2012
  • Peter Dijkstra
  • venue tba
  • Nagoya
  • , Japan
  • Other Performers: Swedish Radio Choir
  • Jul 7, 2012
  • Peter Dijkstra
  • Kloosterkerk
  • The Hague
  • , Netherlands
  • Other Performers: Vocaal Ensemble MUSA
  • Sep 16, 2012
  • Peter Dijkstra
  • Berwaldhallen
  • Stockholm
  • , Sweden
  • Other Performers: Swedish Radio Choir & B ROCK
  • Sep 17, 2012
  • Peter Dijkstra
  • venue tba
  • Gent
  • , Belgium
  • Other Performers: Swedish Radio Choir & B ROCK
  • Sep 18, 2012
  • Peter Dijkstra
  • Frits Philipszaal
  • Eindhoven
  • , Netherlands
  • Other Performers: Swedish Radio Choir
  • Sep 19, 2012
  • Peter Dijkstra
  • Anton Philipszaal
  • The Hague
  • , Netherlands
  • Other Performers: Swedish Radio Choir & B ROCK
  • Sep 21, 2012
  • Peter Dijkstra
  • venue tba
  • Antwerp
  • , Belgium
  • Other Performers: Swedish Radio Choir & B ROCK
  • Sep 30, 2012
  • Peter Dijkstra
  • Jeroenskerk
  • Noordwijk
  • , Netherlands
  • Other Performers: Vocaal Ensemble MUSA
  • Oct 14, 2012
  • Peter Dijkstra
  • Muziekgebouw aan 't IJ
  • Amsterdam
  • , Netherlands
  • Other Performers: Nederlands Kamerkoor
  • Oct 19, 2012
  • Peter Dijkstra
  • Berwaldhallen
  • Stockholm
  • , Sweden
  • Other Performers: Swedish Radio Choir
  • Nov 9, 2012
  • Peter Dijkstra
  • Konserthus
  • Gavle
  • , Sweden
  • Other Performers: Swedish Radio Choir & Gavle Symfoniorkester
  • Nov 24, 2012
  • Peter Dijkstra
  • Prinzregententheater
  • Munich
  • , Germany
  • Other Performers: Chor des Bayerischen Rundfunks
  • Dec 9, 2012
  • Peter Dijkstra
  • Konzerthaus
  • Bamberg
  • , Germany
  • Other Performers: Chor des Bayerischen Rundfunks
  • Dec 21, 2012
  • Peter Dijkstra
  • Konserthus
  • Aalborg
  • , Sweden
  • Other Performers: Aalborg Symfoniorkester
  • Dec 22, 2012
  • Peter Dijkstra
  • Konserthus
  • Aalborg
  • , Sweden
  • Other Performers: Aalborg Symfoniorkester

Details

Dijkstra 31411

Additional Information

SACD or CD? SACD (plays on all cd players)
Year of release 2011
Recording Location Stockholm Sweden
Main artist

Dijkstra, Peter - conductor
Swedish Radio Choir

Performers Swedish Radio Choir
Peter Dijkstra - conductor< Mass in G major (1937) Sept Chansons (1936) Un soir de neige (1944) Figure Humaine (1943)
Introduction by artist To issue a CD of Poulenc's most important choral work is to make a huge statement, and to take something of a risk. Why does one do it? Aren't there enough recordings already? Having said that, in my case it's simply dire necessity. This work is so beautiful, so impressive, and so important to the canon of twentieth-century choral music, that I cannot resist having a say of my own. I do believe that Poulenc´s 12-part Figure humaine is the most beautiful and impressive a cappella choral work that I know. The poet Eluard and composer Poulenc formed a perfect match. Eluard's poignant and sinister surrealistic texts are very moving, and their wonderfully expressive language depicts the horrors of the Second World War. It is without doubt a harrowing work, with a pièce de résistance to end: the eighth and final movement Liberté. In the most beautiful words, it expresses the omnipresent urge for liberty. Poulenc's setting is simply wonderful, with a gigantic buildup to the concluding, ultimate cry of LIBERTÉ! It is a great joy to perform this sort of music with my Swedish Radio Choir. The ensemble is a very strong group, and most eager to stretch its boundaries. The strength of the group is not merely the sum of its individual qualities. At the moment when these qualities merge into one, the group develops still further, and the ensemble attains a higher elevation. However important blending of the sound may be, it may not be at the expense of individual colour and personality. Choirs are frequently recorded from a considerable distance, perhaps to improve the blend. I often find the resulting sound to be distant, and detrimental to the clarity of the text. The recording technique of Channel Classics seeks to establish a synthesis, combining directness and clarity with spatial effect. This is exactly my own approach to choral timbre: the choir must achieve the greatest unity and blend, but also allow space for individual colour. It is at such moments that the listener feels personally involved, and the music gains a human aspect. I am convinced that this is the sound Poulenc had in mind when he wrote Figure humaine. Peter Dijkstra
Composer Poulenc
Producer Hein Dekker
Recording Engineer / Mastering Jared Sacks, Hein Dekker
Technical Specifications Microphones: Bruel & Kjaer 4006, Schoeps Digital Converters: DSD Super Audio/Grimm Audio AD/DA Speakers: Audiolab, Holland Software: Pyramix Editing, Merging Technologies Mixing Board: Rens Heijnis, custom design Mastering Room: B+W 803d series speakers, Classe 5200 Amplifier Cables: Van den Hul
Inlay Mass in G major (1937) Sept Chansons (1936) Un soir de neige (1944) Figure Humaine (1943)
Awards
Awards:
• BBC Music Magazine: 5 stars perf./5 stars recording
• Fono Forum: Musik: 5 stars / Klang: 5 stars
• SA-CD.net: 5 stars performance/4.5 stars sonics
• Volkskrant: 5 Stars
 
 




Quotes

Der Chor gibt die jeweiligen Stimmungen der Sätze oder Passagen angemessen wieder: tänzerisch in 'Marie' ('Sept Chansons'), nachdenklich in 'De grandes cuillers de neige' ('Un soir de neige') oder hämisch in 'Riant du ciel et des planètes' ('Figure humaine'). Die Intonation ist makellos, der Chorklang angenehm weich und harmonisch, die Phrasierungen stimmig und rund.
Klassik.com

This is a first-rate disc of some of Poulenc’s finest music. (...) The radiance and resonance of the singing is altogether exceptional and Dijkstra’s conducting moulds the music lovingly but never indulgently. (...) it’s great to hear Poulenc’s tricky choral writing rendered with such control and beauty of tone. (...)
International Record Review

(...) De opname is van bekende Channel-Classics-klasse, de uitvoerenden (..) van wereldniveau onder leiding van Peter Dijkstra. (...) Nogmaals hulde!
HVT

(...) The 35-voice choir makes a suitably full-bodied sound, yet keeps the individual lines clean and clear and the textures rich and vibrant, confirming once again the reasons that make us not only so happy to listen but that also make us want to sing. Channel Classics' Jared Sacks has been recording choirs for a long time--and as one of the first to fully appreciate, understand, and utilize the potential of digital recording, he consistently produces demonstration-quality recordings that present the performers in an acoustic setting that's most favorable to their art and to their music. This is no exception--and although there are many alternatives in the CD catalog--from Accentus, The Sixteen, The Netherlands Chamber Choir, to name a few--they lack just that slight, vibrant edge and exuberance characterized in these performances, which should find a place in every choral music lover's library. Highly recommended.
Classics Today 10/10

(...) vorbildlichen Ensemblekultur (...) Der Chor ist ungemein präsent abgebildet (...) eine rundum beglückende Hörerfahrung.
Fonoforum (*****)

Ribbons of joy fly brightly through the Gloria and Sanctus of the Mass from 1937. (…) Peter Dijkstra keeps the music moving and flowing (…)
Gramophone

(...) The Mass, performed with unusual power as well as the expected gentle lucidity, gives this CD an arresting start (...)  To have all four works you can confidently choose this new release.
BBC Music 5 stars

(...) The ethereal solo contributions of soprano Jessica Bäcklund and alto Christiane Höjlund in the ‘Agnus Dei’ deserve special mention. (...) Channel Classic’s superb DSD recording made in the Musikaliska, Stockholm presents the choir in a spacious acoustic that accommodates the huge dynamic range of the singing without strain. (...) This challenging, but rewarding disc is confidently recommended.
SA-CD.net Performance ***** Sonics*****

Onder leiding van de jonge, talentvolle Nederlandse chef-dirigent Peter Dijkstra zingt het Zweeds Radio Koor vier ronduit schitterende koorwerken van Poulenc. Tegelijkertijd laat het horen waarom het geldt als één van de beste kamerkoren ter wereld. (...) Meesterwerken.
Het Parool

(...) De opname is op het eerste gehoor confronterend direct. Maar het komt de zeggingskracht van de muziek ten goede. De Zweedse zangers leveren ongelooflijk knap gezongen uitvoeringen, waarin de harmonische ontwikkelingen zo zijn gedrapeerd en gestapeld dat er fantastische sonoriteiten ontstaan, die soms zelfs grenzen aan rauwe, bijna uitgekreten spreekkoren. (...) een hartstochtelijke ode aan de vrijheid.
De Volkskrant *****

De Nederlandse koordirigent Peter Dijkstra kneedt het Swedish Radio Choir tot topprestaties (...). De opname is heel direct, maar dat maakt het alleen maar spannender (...)
De Gelderlander

Running time 61.40
Number of cd's 1
: 
1

: 
2011

: 
Stockholm Sweden

: 
Hein Dekker

: 
Jared Sacks, Hein Dekker

: 
61.40

: 
Microphones: Bruel & Kjaer 4006, Schoeps
Digital Converters: DSD Super Audio/Grimm Audio AD/DA
Speakers: Audiolab, Holland
Software: Pyramix Editing, Merging Technologies
Mixing Board: Rens Heijnis, custom design
Mastering Room: B+W 803d series speakers, Classe 5200 Amplifier
Cables: Van den Hul

Peter Dijkstra
  • view profile
  • visit website
  • view concerts
Peter Dijkstra
Peter Dijkstra, born in the Netherlands in 1978, is one of the leading choral conductors of our time. He comes from a musical family and as a boysoprano he was invited for many solo performances


: 
Swedish Radio Choir
Peter Dijkstra - conductor<

Mass in G major (1937)
Sept Chansons (1936)
Un soir de neige (1944)
Figure Humaine (1943)


: 
To issue a CD of Poulenc's most important choral work is to make a huge statement, and to take something of a risk. Why does one do it? Aren't there enough recordings already?

Having said that, in my case it's simply dire necessity. This work is so beautiful, so impressive, and so important to the canon of twentieth-century choral music, that I cannot resist having a say of my own. I do believe that Poulenc´s 12-part Figure humaine is the most beautiful and impressive a cappella choral work that I know. The poet Eluard and composer Poulenc formed a perfect match. Eluard's poignant and sinister surrealistic texts are very moving, and their wonderfully expressive language depicts the horrors of the Second World War. It is without doubt a harrowing work, with a pièce de résistance to end: the eighth and final movement Liberté. In the most beautiful words, it expresses the omnipresent urge for liberty. Poulenc's setting is simply wonderful, with a gigantic buildup to the concluding, ultimate cry of LIBERTÉ!

It is a great joy to perform this sort of music with my Swedish Radio Choir. The ensemble is a very strong group, and most eager to stretch its boundaries. The strength of the group is not merely the sum of its individual qualities. At the moment when these qualities merge into one, the group develops still further, and the ensemble attains a higher elevation. However important blending of the sound may be, it may not be at the expense of individual colour and personality. Choirs are frequently recorded from a considerable distance, perhaps to improve the blend. I often find the resulting sound to be distant, and detrimental to the clarity of the text. The recording technique of Channel Classics seeks to establish a synthesis, combining directness and clarity with spatial effect. This is exactly my own approach to choral timbre: the choir must achieve the greatest unity and blend, but also allow space for individual colour. It is at such moments that the listener feels personally involved, and the music gains a human aspect. I am convinced that this is the sound Poulenc had in mind when he wrote Figure humaine.

Peter Dijkstra

: 

Der Chor gibt die jeweiligen Stimmungen der Sätze oder Passagen angemessen wieder: tänzerisch in 'Marie' ('Sept Chansons'), nachdenklich in 'De grandes cuillers de neige' ('Un soir de neige') oder hämisch in 'Riant du ciel et des planètes' ('Figure humaine'). Die Intonation ist makellos, der Chorklang angenehm weich und harmonisch, die Phrasierungen stimmig und rund.
Klassik.com


This is a first-rate disc of some of Poulenc’s finest music. (...) The radiance and resonance of the singing is altogether exceptional and Dijkstra’s conducting moulds the music lovingly but never indulgently. (...) it’s great to hear Poulenc’s tricky choral writing rendered with such control and beauty of tone. (...)
International Record Review


(...) De opname is van bekende Channel-Classics-klasse, de uitvoerenden (..) van wereldniveau onder leiding van Peter Dijkstra. (...) Nogmaals hulde!
HVT


(...) The 35-voice choir makes a suitably full-bodied sound, yet keeps the individual lines clean and clear and the textures rich and vibrant, confirming once again the reasons that make us not only so happy to listen but that also make us want to sing. Channel Classics' Jared Sacks has been recording choirs for a long time--and as one of the first to fully appreciate, understand, and utilize the potential of digital recording, he consistently produces demonstration-quality recordings that present the performers in an acoustic setting that's most favorable to their art and to their music. This is no exception--and although there are many alternatives in the CD catalog--from Accentus, The Sixteen, The Netherlands Chamber Choir, to name a few--they lack just that slight, vibrant edge and exuberance characterized in these performances, which should find a place in every choral music lover's library. Highly recommended.
Classics Today 10/10


(...) vorbildlichen Ensemblekultur (...) Der Chor ist ungemein präsent abgebildet (...) eine rundum beglückende Hörerfahrung.
Fonoforum (*****)


Ribbons of joy fly brightly through the Gloria and Sanctus of the Mass from 1937. (…) Peter Dijkstra keeps the music moving and flowing (…)
Gramophone


(...) The Mass, performed with unusual power as well as the expected gentle lucidity, gives this CD an arresting start (...)  To have all four works you can confidently choose this new release.
BBC Music 5 stars


(...) The ethereal solo contributions of soprano Jessica Bäcklund and alto Christiane Höjlund in the ‘Agnus Dei’ deserve special mention. (...) Channel Classic’s superb DSD recording made in the Musikaliska, Stockholm presents the choir in a spacious acoustic that accommodates the huge dynamic range of the singing without strain. (...) This challenging, but rewarding disc is confidently recommended.
SA-CD.net Performance ***** Sonics*****


Onder leiding van de jonge, talentvolle Nederlandse chef-dirigent Peter Dijkstra zingt het Zweeds Radio Koor vier ronduit schitterende koorwerken van Poulenc. Tegelijkertijd laat het horen waarom het geldt als één van de beste kamerkoren ter wereld. (...) Meesterwerken.
Het Parool


(...) De opname is op het eerste gehoor confronterend direct. Maar het komt de zeggingskracht van de muziek ten goede. De Zweedse zangers leveren ongelooflijk knap gezongen uitvoeringen, waarin de harmonische ontwikkelingen zo zijn gedrapeerd en gestapeld dat er fantastische sonoriteiten ontstaan, die soms zelfs grenzen aan rauwe, bijna uitgekreten spreekkoren. (...) een hartstochtelijke ode aan de vrijheid.
De Volkskrant *****


De Nederlandse koordirigent Peter Dijkstra kneedt het Swedish Radio Choir tot topprestaties (...). De opname is heel direct, maar dat maakt het alleen maar spannender (...)
De Gelderlander



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