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Max van Egmond and Jos van Immerseel have utilized the Urtext edition der Neuen Schubert Ausgabe (Brenreiter 7003) for this performance. The transpositions for middle voice allow, in almost all cases, the relationships between various tonalities used to remain intact. In subtle fashion some ornamentation has been used the vocal part,following the practice of Schubert and his singer Vogl. The instrument used on this recording is a fortepiano built by Christopher Clarke after late 18th century examples by Walter. Instruments of such quality were used well into the 19th century, and certainly known by Schubert himself, although he most certainly was acquanted with more "modern" builders such as Graf, with larger range and even greater dynamics.
Additional Information
| Main artist | IMMERSEEL, JOS VAN - fortepiano |
|---|---|
| Composer | Schubert |
| Inlay | F. Schubert Winterreise Fortepiano: Christopher Clarke, 1988 Cluny after Anton Walter, Vienna (period performance) |
| Biography | Max van Egmond ,the well-known Dutch baritone and early music specialist, gives concerts and master-classes regularly throughout Europe and the U.S. and can be heard on numerous recordings. He teaches at the Sweelinck |
| Awards |
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| Quotes | (...) Van Egmond and his partner concentrate on the inner, intimate meaning of the cycle. (...) Gramophone |
| Format | No |
| Running time | 67:15 |
| Year of release | 1990 |
:
(...) Van Egmond and his partner concentrate on the inner, intimate meaning of the cycle. (...) Gramophone
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