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  • Works of Toyohiko Satoh 1
Works of Toyohiko Satoh 1

3291

Works of Toyohiko Satoh 1

SATOH, TOYOHIKO
ALBA MUSICA KYO

Physical CD Price  
Normal PCM CD (In stock)
$20.41

Details

Toyhiko Satoh (1981): "PELERINAGE AU ROLLANT" It is not easy to classify Satoh's "Pelerinage au Rollant", based on texts chosen from "La Chanson de Roland", under one subtitle. As an authority in the field of the Renaissance in all its musical aspects, Satoh has made a kind of reconstruction which gives the impression that it has been based on the principles of an old music drama. Yet he did not confine himself to slavishly imitating the existing old sound structures. On the contrary, it is worth remarking that he integrated the primitive, classical, oriental, western and (in some cases) the modern ways of expressing...

Additional Information

Main artist

SATOH, TOYOHIKO
ALBA MUSICA KYO

Inlay

Plerinage au Rollant (1981);
Kobanashi (Little Tales) (1985);
Komori-Uta (Lullaby)

Biography

ensemble "ALBA MUSICA KYO" is a group based on 3 Japanese musicians (Toyohiko Satoh, Chiyomi Yamade and Taka Kitazato) resident of Holland. They perform Europian music composed between 14C and 17C, including some contemporary music, as well as those which are based on traditional Japanese tunes. Often they work with a few more musicians together depending on the music they perform. "Lute" is the centre of the group with a voice, woodwind instruments, string instruments and percussions. "KYC" means in Japanese; "the Capital", "Today", "Crazy", "Bridge", or "Harmony" at the same time. And "ALBA" is "Dawn" or "Beginning". Therefore the name of the group can mean; "Dawn of today's musdic" or "Beginning of crazy music", or even "The start of noble Japanese music, etc... The members of this recording:

Awards

 

Quotes

(...) In a couple of minutes we have encountered the doleful grace of a Renaissance ensemble. (...) Fanfare

Format Normal PCM CD
Running time 57:00
Year of release 1991
Number of cd's 1
: 
1

: 
1991

: 
57:00

: 

(...) In a couple of minutes we have encountered the doleful grace of a Renaissance ensemble. (...) Fanfare



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